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'''Read [[:Category:Features|the latest features]].'''
{{Frontpage
|author=Maria Stepanova and Sasha Dugdale (Translator)
|title=The Disappearing Act
|rating=4
|genre=Literary Fiction
|summary=Despite her anonymisation of place names and people, Stepanova's message in this short work of autofiction is unmistakable. A novelist named M travels from B (ostensibly Berlin) to the town of F for a literary festival she is to be a guest speaker at. Detoured by erratic train schedules and nudged by forces beyond her control, her journey slowly bends toward a traveling circus. Swept up in this series of events, M eventually offers to step in for a circus performer who has unexpectedly left the show. The train functions as a motif of transience and impermanence, while the circus embodies the reshaping of identity and a retreat into fantasy, an impulse that lies at the very heart of the novel form itself.
|isbn=1804272329
}}
{{Frontpage
|isbn=B0GFQ81YQK
|genre=Popular Science
|summary=I was tempted to read ''You Don't Have to be Mad to Work Here'' after enjoying Adam Kay's first book {{amazonurl|isbn=1509858636|title=This is Going to Hurt}}, a glorious mixture of insight into the workings of the NHS, humour and autobiography. ''You Don't Have to be Mad...'' promised the same elements but moved from physical problems to mental illness and the work of a psychiatrist. I did wonder whether it was acceptable to be looking for humour in this setting but the laughter is directed at a situation rather than a person and it is always delivered with empathy and understanding.
}}