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[[Category:Literary Fiction|*]]
[[Category:New Reviews|Literary Fiction]]__NOTOC__
{{Frontpage
|author=Jeremy Cooper
|title=Discord
|rating= 3.5
|genre=Literary Fiction
|summary=Discord: a lack of agreement or harmony (as between persons, things, or ideas)
The principal example of discord within the novel, as with most instances of discord, is easily located. The two protagonists of the novel, Rebekah Rosen and Evie Bennet, are as different as they come. Rebekah is an uptight, traditional and no-nonsense composer close to retirement, while Evie is a force of nature, bounding onto the musical scene as a precocious saxophonist, oozing with talent and charm. The two, predictably, don't always see eye to eye, their approaches different and Evie's progressive views at odds with Rebekah's conservative leaning. However, something connects them beyond just their musical project: a sort of fragile alliance formed within the clamour.
|isbn=1804272264
}}
{{Frontpage
|author=Polly Barton
|title=What Am I, A Deer?
|rating=4
|genre=Literary Fiction
|summary=Polly Barton's debut novel is an intellectually playful yet emotionally exposed work that uses translation as both subject and governing metaphor. The narrator, newly relocated from London to Berlin, works translating video games into Japanese through the process of localisation, rewriting language until it feels comfortably familiar to a new audience. Barton treats this as a paradoxical act: arguably, in striving for universality, language is endlessly repackaged, its originality at risk of disappearing altogether. From this, the novel opens out into a wider, resonant question: to what extent do we translate ourselves in order to be understood, accepted, or loved?
|isbn=1804272175
}}
{{Frontpage
|author=Maria Stepanova and Sasha Dugdale (Translator)
|title=The Disappearing Act
|rating=4
|genre=Literary Fiction
|summary=Despite her anonymisation of place names and people, Stepanova's message in this short work of autofiction is unmistakable. A novelist named M travels from B (ostensibly Berlin) to the town of F for a literary festival she is to be a guest speaker at. Detoured by erratic train schedules and nudged by forces beyond her control, her journey slowly bends toward a traveling circus. Swept up in this series of events, M eventually offers to step in for a circus performer who has unexpectedly left the show. The train functions as a motif of transience and impermanence, while the circus embodies the reshaping of identity and a retreat into fantasy, an impulse that lies at the very heart of the novel form itself.
|isbn=1804272329
}}
{{Frontpage
|isbn=295967572X
|title=Pale Pieces
|author=G M Stevens
|rating=5
|genre=Literary Fiction
|summary= Our unnamed narrator is about to begin a train journey with his companion Django. Where they're going and what the purpose of this journey is, is uncertain. Django found the tickets ''on the floor somewhere'' and has persuaded our narrator to accompany him. Why not? Not much else is clear either - but we are probably in the past as the pair travel to the station by coach and the train is a steam locomotive.
}}
{{Frontpage
|author=Makenna Goodman