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Newest Politics and Society Reviews (view source)
Revision as of 09:33, 18 January 2026
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[[Category:Politics and Society|*]]
[[Category:New Reviews|Politics and Society]]__NOTOC__ <!-- Remove -->
{{Frontpage
|author=Edward W Said
|title=Representations of the Intellectual
|rating=4.5
|genre=Politics and Society
|summary=Edward Said's ''Representations of the Intellectual'' is less a strict theory of what intellectuals are and more a passionate argument for what they should be. Said clearly rejects the comfortable image of the intellectual as a detached expert speaking only to other specialists. Instead, he insists on the intellectual as a public figure, often awkward, abrasive, and unpopular, who speaks truth to power even when it is inconvenient or risky.
|isbn=1804272248
}}
{{Frontpage
|author=Ariel Saramandi
|title=Portrait of an Island on Fire
|rating=4.5
|genre=Politics and Society
|summary=In this powerful collection of essays, Saramandi seeks to intradermally dissect the sociopolitical fabric of Mauritius, tunneling deep into the wounds left by colonialism and slavery to expose how these legacies still shape modern life. Saramandi describes the country at one stage as ''rotting'', a blunt yet apt metaphor for the systemic decay brought about by the malignant forces of racism, patriarchy, environmental degradation and governmental dysfunction. Each essay in this collection serves as a kind of diagnostic, charting the various diseases afflicting the island state.
|isbn=1804271616
}}
{{Frontpage
|author=Gregor Hens and Jen Calleja (translator)
|title=The City and the World
|rating=4
|genre=Politics and Society
|summary=In ''The City and the World'', Gregor Hens reveals how cities are as much imagined spaces as they are physical ones. With a deep affection for the urban landscapes that have shaped his life, Hens reflects on places like Cologne, Berlin, and Goch on the Lower Rhine with a blend of personal memory and thoughtful observation. His writing, at times abstract, captures not just architectural features but the emotional and mental geographies tied to each location, for example, his perspectives as a child as opposed to as an adult. From Belgium and Germany to Berkeley and Columbus, Hens traces a map of experiences, turning cities into reflections of identity and belonging.
|isbn=1804271691
}}
{{Frontpage
|author=Paul B Preciado
|title=Dysphoria Mundi
|rating=4.5
|genre=Politics and Society
|summary=''It is never too late to embrace the revolutionary optimism of childhood''
Through this hybrid text, consisting of arias, letters, essays and autofiction, Preciado expresses his own hybrid self, and brings forth a new sensorium as an offering to the new generation, a new feeling mechanism in which detachment is not considered a sign of political apathy. Rather, it is the proportional, valid response to ''the epistemological and political crack we are living through, and the tension between emancipatory forces and conservative resistances that characterize our present'' which Preciado calls ''dysphoria mundi''. The whole text is framed against the backdrop of the Covid-19 pandemic as that which has catalysed this revolution, when dysphoria began to emerge on a global scale, or as ''pangea covidica''. Rather than taking this extreme dysphoria as a sign of weakness, or mistaking detachment or withdrawal for political paralysis, Preciado urges his readers to ''use dysphoria as your revolutionary platform''.
|isbn=1804271454
}}
{{Frontpage
|author=Jacqueline Feldman
|title=Precarious Lease
|rating=3.5
|genre=Biography
|summary=The title of this novel refers to a French legal term (''bail précaire'') associated with squatters in France, affording them temporary suspension from eviction charges and processes, but few scant property rights. Among mentions of other squats dotted around Paris like Le Carrosse and La Miroiterie, Feldman takes particular interest in one squat of massive proportions which adopted an almost mythical status for its inhabitants, admirers and detractors alike: Le Bloc. Something like a haven for artists and marginal members of society (as one character, Le Général, repeats throughout, ''I live on the margins of the margins of the margins''), Le Bloc was subject to the continual threat of eviction and the pressures from above which oppressed its inhabitants' lives. We follow Le Bloc from its opening in 2012 until its eventual dissolution, framed as a tragedy in this book.
|isbn=1804271403
}}
{{Frontpage
|author=Claire Dederer
|title=Monsters: What Do We Do with Great Art by Bad People?
|rating=3
|genre=Politics and Society
|summary=Dederer sets out to unveil what she calls a ''biography of the audience'' in a deconstructed, thoroughly nitpicked, exploration of the old aphorism of separating the art from the artist in the context of contemporary ''cancel culture''. Dederer's work is original and expressive. The reader gets the impression that the thoughts simply sprang and leapt from her brilliant mind and onto the page. In particular, the prologue packs a punch: she simultaneously condemns and exalts the director Roman Polanski, an artist she personally admires for his art, and yet despises for his actions. This model of ''monstrous men'' as she calls them, is consistent for the first few chapters, interrogating the likes of Woody Allen, Michael Jackson and Pablo Picasso. Her critical voice is acutely present throughout, never slipping into anonymity and maintaining her own subjectivity, as she holds it so dearly, and a personal, rather than collective voice.
|isbn=1399715070
}}
{{Frontpage
|author=Virginie Despentes
|title=King Kong Theory
|rating=4
|genre=Autobiography
|summary=''King Kong Theory'' is a hard-hitting memoir and feminist manifesto, which can be seen as a call to arms for women in a phallocentric society broken at its core. Originally written in French, the book is a collection of essays in which Virginie Despentes explores her experiences as a woman through the complex prism of her varied life: from rape to sex work and pornography. Though these discussions are intertwined, their placement within the book can feel somewhat disjointed, a reflection of their original form as independent essays.
|isbn=191309734X
}}
{{Frontpage
|isbn=1009473085
|title=The Conservative Effect 2010 - 2024
|summary= Where do I start? I could start with where Barton herself starts, with the question ''Why Japan?'' Japan has been on my radar for a while and if the world hadn't gone into melt-down I would have visited by now. I may get there later this year, but I am not hopeful. And like Barton, I don't know the answer to the question ''why Japan?'' She explains her feelings in respect of the question in the first essay, which is on the sound ''giro' '' – which she describes as being, among other things, the sound of ''every party where you have to introduce yourself''.
|isbn=1913097501
}}
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