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Revision as of 15:54, 13 April 2010
, 15:54, 13 April 2010Created page with '{{infobox |title=Dreams in a Time of War |author=Ngugi wa Thiong'o |reviewer=Fiona Thompson |genre=Autobiography |summary=Thought-provoking memoirs of one of Africa’s greatest …'
{{infobox
|title=Dreams in a Time of War
|author=Ngugi wa Thiong'o
|reviewer=Fiona Thompson
|genre=Autobiography
|summary=Thought-provoking memoirs of one of Africa’s greatest living authors.
|rating=4
|buy=Maybe
|borrow=Yes
|hardback=1846553776
|pages=272
|publisher=Harvill Secker
|date=March 2010
|isbn=978-1846553776
|amazonuk=<amazonuk>1846553776</amazonuk>
|amazonus=<amazonus>1846553776</amazonus>
}}
The interest in the lives of unfortunate children has created the
publishing phenomenon nicknamed 'misery memoirs'. Happily for readers
of Ngugi wa Thiong'o’s Dreams in a Time of War memories of the author’s often difficult childhood are presented as a tale of triumph and empowerment rather than anger and self-pity.
It’s an account of Ngugi’s early years, until his sixteenth birthday
when he takes his first ever train journey in order to attend one of
Kenya’s most respected schools. That his parents separated when he was
young is nothing out of the ordinary, but it is the fact that he grew
up a child of his father’s fourth wife, in a domestic environment of
twenty four children, that makes his story stand out. Ngugi and his
brother went, with their mother, to live with their maternal
grandfather. For a woman who was a wife in a polygamous marriage,
leaving was an unusual thing to do and Ngugi’s mother proved herself to
have considerable strength and determination, setting out to instil in
her sons a desire to learn, encouraging them to aim high.
The author paints a colourful picture of life in rural Kenya but it is
a way of life under pressure from modernisation and from the internal
troubles within the country. Still there is much warmth amid the
tension. The tragedy of an accident that leaves a sister disabled is
set against memories of the girl’s extraordinary talent for story
telling while a brother who is sorely missed while fighting for the
British Empire returns with tales of places far away.
Ngugi likens the hierarchy within the family – all the wives lived
separately but within the same enclosure – to a mini government,
assigning each wife to a ministerial post. His own industrious mother
heads up the ministry for works while the quietest wife, Gacoki is the
minister for peace and Wangari, the first wife and an expert story
teller fills the role of minister for culture.
This is as much a portrait of family life as it is an account of
turbulent years in Kenya’s history. After the Second World War – during
which encounter many African men had served in the Kings African Rifles
– the British made a point of tightening their hold on Kenya in order
to subdue the growing calls for independence. This assertion of power
is both subtle and harsh. The warmth and vitality of the stories of
family life are all the more poignant set against the shadow of
political tension. At first I found the references to the political
background too subtle and felt that a lot of the content was going to
pass me by for lack of knowledge of the situation. However, as Ngugi
gets older, the telling of the story becomes more detailed as he
himself understands more of what is happening. At school, history
lessons are revised to describe Kenya as a country with virtually
nothing until white settlers arrived; at home, the family loses a son
when one of the oldest, Wallace, goes off to join the Mau Mau in the
mountains.
“Dreams in a Time of War” took me to a place and time I know
relatively little about. In spite of knowing little about the author,
I found that I enjoyed this memoir on several levels. It is a vibrant
and eye-opening account on a way of life that is not often heard about.
Ngugi’s vignettes hang together beautifully to demonstrate the value of
story telling and how the art can be manipulated. This engaging and
touching memoir has certainly inspired me to learn more about the
author and his own fiction.
I'd like to thank the publishers for sending a copy to The Bookbag.
For an alternative look at the end of colonial rule in Kenya try [[Burn My Heart by Beverley Naidoo]].
{{amazontext|amazon=1846553776}} {{waterstonestext|waterstones=6932087}}
{{commenthead}}
|title=Dreams in a Time of War
|author=Ngugi wa Thiong'o
|reviewer=Fiona Thompson
|genre=Autobiography
|summary=Thought-provoking memoirs of one of Africa’s greatest living authors.
|rating=4
|buy=Maybe
|borrow=Yes
|hardback=1846553776
|pages=272
|publisher=Harvill Secker
|date=March 2010
|isbn=978-1846553776
|amazonuk=<amazonuk>1846553776</amazonuk>
|amazonus=<amazonus>1846553776</amazonus>
}}
The interest in the lives of unfortunate children has created the
publishing phenomenon nicknamed 'misery memoirs'. Happily for readers
of Ngugi wa Thiong'o’s Dreams in a Time of War memories of the author’s often difficult childhood are presented as a tale of triumph and empowerment rather than anger and self-pity.
It’s an account of Ngugi’s early years, until his sixteenth birthday
when he takes his first ever train journey in order to attend one of
Kenya’s most respected schools. That his parents separated when he was
young is nothing out of the ordinary, but it is the fact that he grew
up a child of his father’s fourth wife, in a domestic environment of
twenty four children, that makes his story stand out. Ngugi and his
brother went, with their mother, to live with their maternal
grandfather. For a woman who was a wife in a polygamous marriage,
leaving was an unusual thing to do and Ngugi’s mother proved herself to
have considerable strength and determination, setting out to instil in
her sons a desire to learn, encouraging them to aim high.
The author paints a colourful picture of life in rural Kenya but it is
a way of life under pressure from modernisation and from the internal
troubles within the country. Still there is much warmth amid the
tension. The tragedy of an accident that leaves a sister disabled is
set against memories of the girl’s extraordinary talent for story
telling while a brother who is sorely missed while fighting for the
British Empire returns with tales of places far away.
Ngugi likens the hierarchy within the family – all the wives lived
separately but within the same enclosure – to a mini government,
assigning each wife to a ministerial post. His own industrious mother
heads up the ministry for works while the quietest wife, Gacoki is the
minister for peace and Wangari, the first wife and an expert story
teller fills the role of minister for culture.
This is as much a portrait of family life as it is an account of
turbulent years in Kenya’s history. After the Second World War – during
which encounter many African men had served in the Kings African Rifles
– the British made a point of tightening their hold on Kenya in order
to subdue the growing calls for independence. This assertion of power
is both subtle and harsh. The warmth and vitality of the stories of
family life are all the more poignant set against the shadow of
political tension. At first I found the references to the political
background too subtle and felt that a lot of the content was going to
pass me by for lack of knowledge of the situation. However, as Ngugi
gets older, the telling of the story becomes more detailed as he
himself understands more of what is happening. At school, history
lessons are revised to describe Kenya as a country with virtually
nothing until white settlers arrived; at home, the family loses a son
when one of the oldest, Wallace, goes off to join the Mau Mau in the
mountains.
“Dreams in a Time of War” took me to a place and time I know
relatively little about. In spite of knowing little about the author,
I found that I enjoyed this memoir on several levels. It is a vibrant
and eye-opening account on a way of life that is not often heard about.
Ngugi’s vignettes hang together beautifully to demonstrate the value of
story telling and how the art can be manipulated. This engaging and
touching memoir has certainly inspired me to learn more about the
author and his own fiction.
I'd like to thank the publishers for sending a copy to The Bookbag.
For an alternative look at the end of colonial rule in Kenya try [[Burn My Heart by Beverley Naidoo]].
{{amazontext|amazon=1846553776}} {{waterstonestext|waterstones=6932087}}
{{commenthead}}
