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It's just that the general idea, if not the specific details, of why Thea was sent away is fairly obvious from early on, and it takes an awfully long time to get round to filling us in properly. The relationship Thea eventually embarks on at the camp is also rather predictable, although fairly well-handled.
And yet when I came to the last quarter, I was taken aback by just how powerful the ending was. It didn't hit me with the same electric shock that [[Love in Revolution by BR B R Collins]] did, admittedly, but it's up there with that novel as one of the best climaxes I've read this year. It took me by surprise just how much I was moved by the actions of a central character I hadn't thought I cared all that much about. It also made me rethink my opinion on the pacing, at least slightly. I think that part of the reason the ending is so hard-hitting is because of the slow burn to get there.
I don't think this is necessarily for everyone, but if you're happy for a rather leisurely read then this is well worth checking out. Moderate to high recommendation.
For another historical coming-of-age story, I loved [[Love in Revolution by BR B R Collins]]. That's being marketed towards teens while this is aimed at adults; both can be enjoyed whatever you are, I'd say.
For another historical recommendation, sticking to adult fiction in early 20th century America, perhaps my favourite novel of the year so far is the exquisite [[The Other Typist by Suzanne Rindell]], a Prohibition-era literary thriller.

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