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Edward Thomas, born in 1878, was part of the young fresh literary fraternity. Always ill at ease with himself, unhappily married with a wife and three children to support, he doggedly and unenthusiastically persevered with his writing career. Evidently able to turn his hand to almost any genre he pleased, he was a prolific book reviewer, biographer, commentator on country matters, and even occasional novelist, turning out potboilers at the drop of a hat for a pittance while struggling with depression. On one occasion he went out into the fields with a gun, briefly determined to take his own life, then failing and filled with a deep sense of shame as he returned home to his family. He lived apart from them for brief periods, enjoying platonic relationships with other women, although the marriage somehow endured.
Surprisingly, in view of the fact that today he is remembered as one of the foremost poets of his age, he came quite late to the field. He had been a close friend and ardent champion of Robert Frost, an American poet who had recently settled in England, and who suggested to Thomas that there was poetry of a kind in his prose. Thus encouraged, only a few weeks after the outbreak of war, Thomas found his true calling as a writer of verse himself. As one of his contemporaries put it, he would never again think of himself as a mere hack; never again would chronic depression overwhelm him; and he was ""''not a different man, but the same man in another key""''.
As a married man of mature years, he was not obliged to enlist at first. Disgusted by what he saw as nationalistic nonsense, with all the British being portrayed as brave and the Germans totally beyond redemption, initially he had wanted nothing to do with the fighting. At length he changed his mind, ostensibly to take up arms on behalf of the country he loved, although admittedly partly as his slender income from journalism had ceased, and partly one suspects as a flight from his unhappy marriage. He joined the army, was promoted to Corporal and was commissioned into the Royal Garrison Artillery, although he was evidently able to devote some of his army time to writing.
This biography looks at Thomas’s life in painstaking detail; his marriage and his friendships with others are all objectively portrayed. Yet as befits the first prose book written by a poet himself, about half of it is focused on those three all-important years when he became an extraordinarily prolific poet.
Hollis’s analysis of Thomas’s development and of the poems themselves is shrewd. He was not specifically a war poet in the sense that his contemporaries such as Siegfried Sassoon, Robert Graves or Wilfred Owen were, but more a writer who liked to describe his beloved countryside – before enlisting in the army, he had spent many a happy hour walking or cycling, especially in his beloved Cotswolds - and at the same time reveal something of his emotions. Nevertheless the conflict was bound to feature in his work sooner or later, and on Boxing Day 1915 he wrote an angry verse beginning ""''This is no case of petty right or wrong""'', articulating his feelings about the armed struggle.
This book brings considerable sympathy and insight to the subject, and the result is a volume which will appeal equally to the lover of biography as well as of English literature.

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