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The quest for a 'Surbiton of the mind', entailing no highs nor lows of emotion, proves elusive right from the beginning: a heavy drinking work colleague tries to convince him to murder his wife, he becomes involved with a hedonistic mother of three but finds he cares more for the children. Occasional glimpses of what he's searching for come through his work at the Ministry of Agriculture, producing simple data collection programs he knows will never be used: 'It had no purpose and so it was done for its own sake, like art, or flirting.' Burnside evokes the banality of office life very well, which in the main he finds desperately boring. Conversations with co-workers remain forced and superficial and the situation starts to feel unreal. Predictably, the lure of the subsidized work bar becomes too much to resist.
Needless to say, things take a grimmer turn after John returns to drink - there follows a disastrous new job in 'the enormous room' where the insurance-types he is forced to rub shoulders with confound compound his sense of alienation, and then he falls in love with a schoolgirl. Parallel to all this is the development of Burnside the poet, a fascinating aspect of the book. Poetry is seen as a way to wring order and truth from chaotic day-to-day experience, and he does find some peace of mind in the end. I loved the intimacy of Waking Up In Toytown and the way it brings the reader in on the author's personal journey. It has piqued my interest in his other work and I will definitely look out for John Burnside's poetry and fiction in the future.
I'd like to thank the publishers for sending a copy to The Bookbag.

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