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Rob Baker is an ethnomusicologist. ''A what?'' I hear you cry. Well, an ethnomusicologist studies music in relation to culture, so rather like a folklorist studies the oral and written story traditions relating to a culture.
|isbn=B089CSNFT7
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|genre=Art
|summary=''Oh Joy for me!'' gives Coleridge credit for being ''the first person to walk the mountains alone, not because he had to for work, as a miner, quarryman, shepherd or pack-horse driver, but because he wanted to for pleasure and adventure. His rapturous encounters with their natural beauty, and its literary consequences, changed our view of the world''.
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{{Frontpage
|isbn=Woolf_Great
|title=The Great Horizon: 50 Tales of Exploration
|author=Jo Woolf
|rating=3.5
|genre=History
|summary=Jo Woolf has compiled a brilliant set of fifty short insights into the lives and achievements of some amazingly brave people. Their fearless journeys have helped us unlock many of the mysteries of the wildest parts of our world, and also given us an understanding of what it is like to be faced with the most terrible conditions and still have the determination and grit to carry on. This book could be viewed as a taster which encourages us to seek out and read more about some of the most iconic explorers. Their stories are pretty incredible and Woolf does them justice.
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{{Frontpage
|isbn=Mourby_Rooms
|title=Rooms with a View: The Secret Life of Great Hotels
|author=Adrian Mourby
|rating=4
|genre=History
|summary=Adrian Mourby has given us a flying visit to each of fifty grand hotels, from fourteen regions of the world, with the hotels in each section being arranged chronologically rather than by region, which helps to give something of an overall picture. So what makes a hotel 'grand'? The first hotel to call itself 'grand' was in Covent Garden in 1774 and it ushered in the beginning of a period when a hotel would be a lifestyle choice rather than a refuge for those without friends and family conveniently nearby. The hotels we visit all began life in different circumstances and each faced a different set of challenges. We begin in the Americas, move to the United Kingdom, circumnavigate Europe, briefly visit Russia and Turkey then northern Africa, India and Asia. Australia, it seems, does not go for the grand.
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I know a lot about the subject of this book – although please don't think for one minute that is akin to a boast that I could have written it; far from it. But I too have a mountain of souvenirs here and there. They come in five kinds, don't you know – including a miniature version of what you've been to see (my porcelain Field of Miracles from Pisa, that has long since lost its miraculous ability to act as both memento and leaning hygrometer); pictorial representation, such as postcards (oh so many postcards); and physical bits of the place (a particularly Klimtian bit of stone found on a beach on Jersey only this autumn past). I am such a collector of souvenirs I get narked when I go to a place such as a cathedral and all that's on offer is religious product and nothing branded with the site, which is rich considering the whole souvenir industry came from religion and religious pilgrimage in the first place – you only need consider that in buying a souvenir you're trying to take a bit of its source home with you, and for that very reason people sought a continuance of some kind of holiness via religious artefact. You only need consider it, I say, but rest assured all that history and everything else has been considered in the making of this wonderful book. [[Souvenir (Object Lessons) by Rolf Potts|Full Review]]
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