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In most short story collections, an overarching theme is usually present in each of the narratives which help each story gently flow in to the next. In this debut collection Helen Stancey explores the quiet disappointments, achievements, and complications that each of us experience through everyday life. She draws attention to the small events and decisions that can both disrupt and significantly alter the lives of others and ourselves, all while maintaining a delicately poetic tone throughout. [[The Madonna of the Pool by Helen Stancey|Full Review]]
 
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[[image:Walsh_Worlds.jpg|link=http://www.amazon.co.uk/dp/1911508105/ref=nosim?tag=thebookbag-21]]
 
 
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===[[Worlds from the Word's End by Joanna Walsh]]===
 
[[image:3.5star.jpg|link=Category:{{{rating}}} Star Reviews]] [[:Category:Short Stories|Short Stories]]
 
We here at The Bookbag liked this author's fairly recent collection of short stories, [[Vertigo by Joanna Walsh|Vertigo]]. I myself missed out, but that seemed to be vignettes from one character's narration – here we get homosexual male narrators and a host more, as well as much less of the sadness prevalent before. Having had a brief encounter with this author courtesy of her entry into the [[Bookshelf (Object Lessons) by Lydia Pyne|Object Lessons]] series, I was intrigued by her name being stamped on a selection of shorts. Was it the ideal calling card? Let's face it, the very short story itself can be a postcard – let's say, from a specific hotel or two, as we see here. Perhaps I should have geared myself up, however, for such intricate writing on said postcards – and for the exotic locations from which they came… [[Worlds from the Word's End by Joanna Walsh|Full Review]]
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{{newreview
|author=Joanna Walsh
|title=Worlds from the Word's End
|rating=3.5
|genre=Short Stories
|summary=We here at The Bookbag liked this author's fairly recent collection of short stories, [[Vertigo by Joanna Walsh|Vertigo]]. I myself missed out, but that seemed to be vignettes from one character's narration – here we get homosexual male narrators and a host more, as well as much less of the sadness prevalent before. Having had a brief encounter with this author courtesy of her entry into the [[Bookshelf (Object Lessons) by Lydia Pyne|Object Lessons]] series, I was intrigued by her name being stamped on a selection of shorts. Was it the ideal calling card? Let's face it, the very short story itself can be a postcard – let's say, from a specific hotel or two, as we see here. Perhaps I should have geared myself up, however, for such intricate writing on said postcards – and for the exotic locations from which they came…
|amazonuk=<amazonuk>1911508105</amazonuk>
}}
{{newreview
|author=Helen Phillips

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