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	<id>http://www.thebookbag.co.uk/w/index.php?action=history&amp;feed=atom&amp;title=The_Unseeing_by_Anna_Mazzola</id>
	<title>The Unseeing by Anna Mazzola - Revision history</title>
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	<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Unseeing_by_Anna_Mazzola&amp;action=history"/>
	<updated>2026-05-04T15:28:26Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Unseeing_by_Anna_Mazzola&amp;diff=156200&amp;oldid=prev</id>
		<title>Sue at 15:30, 10 August 2020</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Unseeing_by_Anna_Mazzola&amp;diff=156200&amp;oldid=prev"/>
		<updated>2020-08-10T15:30:33Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 15:30, 10 August 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l14&quot; &gt;Line 14:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 14:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|isbn=978-1472234735&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|isbn=978-1472234735&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|website=http://annamazzola.com&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|website=http://annamazzola.com&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|video=&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|cover=Mazzola_Unseeing&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|cover=Mazzola_Unseeing&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|aznuk=1472234731&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|aznuk=1472234731&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l24&quot; &gt;Line 24:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;People with legal qualifications are often considered to have no imagination.  Yet there are those, like [[:Category:John Mortimer|John Mortimer]] who prove themselves to be not only imaginative but entertaining.  &amp;#039;&amp;#039;The Unseeing&amp;#039;&amp;#039; may not be mirthful like a Rumpole story, but that doesn&amp;#039;t matter.  Its author, criminal justice solicitor Anna Mazzola, can definitely be added to these ranks of riveting expertise.  This story is actually based on a real case and brought to us in a form that&amp;#039;s carefully researched and brilliantly paced.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;People with legal qualifications are often considered to have no imagination.  Yet there are those, like [[:Category:John Mortimer|John Mortimer]] who prove themselves to be not only imaginative but entertaining.  &amp;#039;&amp;#039;The Unseeing&amp;#039;&amp;#039; may not be mirthful like a Rumpole story, but that doesn&amp;#039;t matter.  Its author, criminal justice solicitor Anna Mazzola, can definitely be added to these ranks of riveting expertise.  This story is actually based on a real case and brought to us in a form that&amp;#039;s carefully researched and brilliantly paced.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sarah has been written off by 19th century opinion and left to rot, awaiting hanging at Newgate.  Yet the more Fleetwood looks into it, the more he realises this is a woman worth fighting authority for.  She has hidden depths though.  The question is what are these depths hiding?&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sarah has been written off by 19th&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/ins&gt;century opinion and left to rot, awaiting hanging at Newgate.  Yet the more Fleetwood looks into it, the more he realises this is a woman worth fighting authority for.  She has hidden depths though.  The question is what are these depths hiding?&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Whereas Sarah is real, Edmund is fictionalised to great purpose and effect and not just for his great line in background and sub-plot.  He&amp;#039;s our eyes, aid to understanding the crime and process plus the vehicle for some great shocks towards the end.  Edmund is also totally believable, being led more by his heart and a burning urge for justice than by the business acumen his wife would wish upon him to aid their circumstances.  A bright mind living in a lower middle class setting, the pressure he&amp;#039;s under from his wife and disdain of his father draws us to him even more.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Whereas Sarah is real, Edmund is fictionalised to great purpose and effect and not just for his great line in background and sub-plot.  He&amp;#039;s our eyes, aid to understanding the crime and process plus the vehicle for some great shocks towards the end.  Edmund is also totally believable, being led more by his heart and a burning urge for justice than by the business acumen his wife would wish upon him to aid their circumstances.  A bright mind living in a lower&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/ins&gt;middle&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;-&lt;/ins&gt;class setting, the pressure he&amp;#039;s under from his wife and disdain of his father draws us to him even more.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I promise there&amp;#039;ll be no spoilers so let&amp;#039;s just say that the process of law in a nation about to topple into Queen Victoria&amp;#039;s reign isn&amp;#039;t totally law-led.  Anna shows how justice was indeed blind at that time – blind to the truth and evidence rather than impartiality.  (Just one of the meanings behind the cleverly chosen title.)  Opinion, prejudice and consideration of what would best suit society, along with some iffy psychology holds more weight for the influential.  As for Newgate prison&amp;#039;s place in the justice system, it makes Cell Block H look like Butlins.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I promise there&amp;#039;ll be no spoilers so let&amp;#039;s just say that the process of law in a nation about to topple into Queen Victoria&amp;#039;s reign isn&amp;#039;t totally law-led.  Anna shows how justice was indeed blind at that time – blind to the truth and evidence rather than impartiality.  (Just one of the meanings behind the cleverly chosen title.)  Opinion, prejudice and consideration of what would best suit society, along with some iffy psychology holds more weight for the influential.  As for Newgate prison&amp;#039;s place in the justice system, it makes Cell Block H look like Butlins.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l34&quot; &gt;Line 34:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 33:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Thank you so much to the people of Tinder Press for providing us with a copy for review.)&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;(Thank you so much to the people of Tinder Press for providing us with a copy for review.)&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Further Reading:  If this appeals and you enjoy a good historical crime, we heartily recommend the aforementioned Antonia and [[The Devil in the Marshalsea by Antonia Hodgson|The Devil in the Marshalsea]] or [[In the Month of the Midnight Sun by Cecilia Ekback]].  If you would like to pursue the idea of characters invented by legal professionals, try [[Rumpole at Christmas by John Mortimer]] or from the other side of the Ocean [[Gray Mountain by John Grisham]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Further Reading:  If this appeals and you enjoy a good historical crime, we heartily recommend the aforementioned Antonia and [[The Devil in the Marshalsea by Antonia Hodgson|The Devil in the Marshalsea]] or [[In the Month of the Midnight Sun by Cecilia Ekback]].  If you would like to pursue the idea of characters invented by legal professionals, try [[Rumpole at Christmas by John Mortimer]] or from the other side of the Ocean [[Gray Mountain by John Grisham&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]].  You might also enjoy [[An Almond for a Parrot by Wray Delaney&lt;/ins&gt;]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{amazontext|amazon=1472234731}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{amazontext|amazon=1472234731}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Unseeing_by_Anna_Mazzola&amp;diff=118739&amp;oldid=prev</id>
		<title>Sue at 17:13, 18 February 2018</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Unseeing_by_Anna_Mazzola&amp;diff=118739&amp;oldid=prev"/>
		<updated>2018-02-18T17:13:58Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 17:13, 18 February 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;infobox&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;infobox1&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|title=The Unseeing&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|title=The Unseeing&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot; &gt;Line 15:&lt;/td&gt;
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&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;aznus&lt;/ins&gt;=B015CWAEFG&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Unseeing_by_Anna_Mazzola&amp;diff=100820&amp;oldid=prev</id>
		<title>Sue at 13:55, 27 July 2016</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Unseeing_by_Anna_Mazzola&amp;diff=100820&amp;oldid=prev"/>
		<updated>2016-07-27T13:55:15Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:55, 27 July 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l16&quot; &gt;Line 16:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|video=&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|video=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|amazonuk=&amp;lt;amazonuk&amp;gt;1472234731&amp;lt;/amazonuk&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|amazonuk=&amp;lt;amazonuk&amp;gt;1472234731&amp;lt;/amazonuk&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Unseeing_by_Anna_Mazzola&amp;diff=100818&amp;oldid=prev</id>
		<title>Sue: Created page with &quot;{{infobox |title=The Unseeing |sort=Unseeing |author=Anna Mazzola |reviewer=Ani Johnson |genre=Crime (Historical) |summary=Fact beautifully melded with fiction in a tale of da...&quot;</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Unseeing_by_Anna_Mazzola&amp;diff=100818&amp;oldid=prev"/>
		<updated>2016-07-27T13:54:14Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{infobox |title=The Unseeing |sort=Unseeing |author=Anna Mazzola |reviewer=Ani Johnson |genre=Crime (Historical) |summary=Fact beautifully melded with fiction in a tale of da...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New review&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{infobox&lt;br /&gt;
|title=The Unseeing&lt;br /&gt;
|sort=Unseeing&lt;br /&gt;
|author=Anna Mazzola&lt;br /&gt;
|reviewer=Ani Johnson&lt;br /&gt;
|genre=Crime (Historical)&lt;br /&gt;
|summary=Fact beautifully melded with fiction in a tale of dark deception and violence based on a true 1837 court case.&lt;br /&gt;
|rating=5&lt;br /&gt;
|buy=Yes&lt;br /&gt;
|borrow=Yes&lt;br /&gt;
|pages=368&lt;br /&gt;
|publisher=Tinder Press&lt;br /&gt;
|date=July 2016&lt;br /&gt;
|isbn=978-1472234735&lt;br /&gt;
|website=http://annamazzola.com&lt;br /&gt;
|video=&lt;br /&gt;
|amazonuk=&amp;lt;amazonuk&amp;gt;1472234731&amp;lt;/amazonuk&amp;gt;&lt;br /&gt;
|amazonus=&amp;lt;amazonus&amp;gt;1472234731&amp;lt;/amazonus&amp;gt;&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
1837: Sarah Gale is found guilty of aiding and abetting James Greenwood in the murder of Hannah, his fiancée.  It&amp;#039;s particularly gruesome as the body was brutally dismembered and left in various locations around London.  Bound for the gallows and fearing for the future of her young son George, Sarah petitions for mercy from the Home Office and, as a result, the Home Secretary appoints barrister Edmund Fleetwood to re-investigate the case.  Edmund approaches it with an open mind but nothing prepares him for what he&amp;#039;ll discover and not just in the professional realm.&lt;br /&gt;
&lt;br /&gt;
People with legal qualifications are often considered to have no imagination.  Yet there are those, like [[:Category:John Mortimer|John Mortimer]] who prove themselves to be not only imaginative but entertaining.  &amp;#039;&amp;#039;The Unseeing&amp;#039;&amp;#039; may not be mirthful like a Rumpole story, but that doesn&amp;#039;t matter.  Its author, criminal justice solicitor Anna Mazzola, can definitely be added to these ranks of riveting expertise.  This story is actually based on a real case and brought to us in a form that&amp;#039;s carefully researched and brilliantly paced.  &lt;br /&gt;
&lt;br /&gt;
Sarah has been written off by 19th century opinion and left to rot, awaiting hanging at Newgate.  Yet the more Fleetwood looks into it, the more he realises this is a woman worth fighting authority for.  She has hidden depths though.  The question is what are these depths hiding?&lt;br /&gt;
&lt;br /&gt;
Whereas Sarah is real, Edmund is fictionalised to great purpose and effect and not just for his great line in background and sub-plot.  He&amp;#039;s our eyes, aid to understanding the crime and process plus the vehicle for some great shocks towards the end.  Edmund is also totally believable, being led more by his heart and a burning urge for justice than by the business acumen his wife would wish upon him to aid their circumstances.  A bright mind living in a lower middle class setting, the pressure he&amp;#039;s under from his wife and disdain of his father draws us to him even more.&lt;br /&gt;
&lt;br /&gt;
I promise there&amp;#039;ll be no spoilers so let&amp;#039;s just say that the process of law in a nation about to topple into Queen Victoria&amp;#039;s reign isn&amp;#039;t totally law-led.  Anna shows how justice was indeed blind at that time – blind to the truth and evidence rather than impartiality.  (Just one of the meanings behind the cleverly chosen title.)  Opinion, prejudice and consideration of what would best suit society, along with some iffy psychology holds more weight for the influential.  As for Newgate prison&amp;#039;s place in the justice system, it makes Cell Block H look like Butlins.&lt;br /&gt;
&lt;br /&gt;
This is a novel that would entice, engage and heartily please fellow fans of authors like [[:Category:Antonia Hodgson|Antonia Hodgson]].  Meanwhile, talking of pleasing heartily (she says, unsplitting the infinitive) if I&amp;#039;ve read it correctly there may just be a little crack left in the door for Edmund to return.  I sincerely hope (for his benefit as well as ours) he does and it&amp;#039;s soon.  An Anna Mazzola novel is definitely something to look forward to.&lt;br /&gt;
&lt;br /&gt;
(Thank you so much to the people of Tinder Press for providing us with a copy for review.)&lt;br /&gt;
&lt;br /&gt;
Further Reading:  If this appeals and you enjoy a good historical crime, we heartily recommend the aforementioned Antonia and [[The Devil in the Marshalsea by Antonia Hodgson|The Devil in the Marshalsea]] or [[In the Month of the Midnight Sun by Cecilia Ekback]].  If you would like to pursue the idea of characters invented by legal professionals, try [[Rumpole at Christmas by John Mortimer]] or from the other side of the Ocean [[Gray Mountain by John Grisham]].&lt;br /&gt;
&lt;br /&gt;
{{amazontext|amazon=1472234731}}&lt;br /&gt;
{{amazonUStext|amazon=1472234731}}  &lt;br /&gt;
&lt;br /&gt;
{{commenthead}}&lt;br /&gt;
[[Category:Historical Fiction]]&lt;/div&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
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