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	<title>The Interview: Bookbag Talks To Suzanne Rindell - Revision history</title>
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		<title>Sue at 20:03, 29 August 2020</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Interview:_Bookbag_Talks_To_Suzanne_Rindell&amp;diff=159061&amp;oldid=prev"/>
		<updated>2020-08-29T20:03:47Z</updated>

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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 20:03, 29 August 2020&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;Bookbag: When you close your eyes and imagine your readers, who do you see?&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;Bookbag: When you close your eyes and imagine your readers, who do you see?&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Suzanne Rindell: Well, I try to imagine everyone who might possibly have the tiniest bit of interest – I really dislike authors who &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;harbor &lt;/del&gt;ideas about some sort of &amp;#039;&amp;#039;preferred&amp;#039;&amp;#039; audience.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Suzanne Rindell: Well, I try to imagine everyone who might possibly have the tiniest bit of interest – I really dislike authors who &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;harbour &lt;/ins&gt;ideas about some sort of &amp;#039;&amp;#039;preferred&amp;#039;&amp;#039; audience.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;That said, it’s kind of funny; in that immediate moment when you sit down to write, you don’t imagine anyone reading your work.  Not when you’re in the headspace where you’re actually inventing things.  I think it gives you the freedom to write all the wrong stuff, which is often so necessary for writing the &amp;#039;&amp;#039;right&amp;#039;&amp;#039; stuff!   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;That said, it’s kind of funny; in that immediate moment when you sit down to write, you don’t imagine anyone reading your work.  Not when you’re in the headspace where you’re actually inventing things.  I think it gives you the freedom to write all the wrong stuff, which is often so necessary for writing the &amp;#039;&amp;#039;right&amp;#039;&amp;#039; stuff!   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l18&quot; &gt;Line 18:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 18:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;BB: [[The Other Typist by Suzanne Rindell|The Other Typist]] features one of the most captivating narrators of the year so far. Who&amp;#039;s your favourite narrator in any book you&amp;#039;ve read?&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;BB: [[The Other Typist by Suzanne Rindell|The Other Typist]] features one of the most captivating narrators of the year so far. Who&amp;#039;s your favourite narrator in any book you&amp;#039;ve read?&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;SR: There are so many good answers to this question, it’s difficult to pick only one.  I think pretty much all writers have to tip their hat to Humbert Humbert in &amp;#039;&amp;#039;Lolita&amp;#039;&amp;#039;.  I really fell for Grace’s tricks in Margaret Atwood’s &amp;#039;&amp;#039;Alias Grace&amp;#039;&amp;#039;.  And then in terms of more reliable narrators, of course I love Nick from &amp;#039;&amp;#039;The Great Gatsby&amp;#039;&amp;#039;.  He provides kind of a neutral, third-person perspective while still possessing the immediacy of a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;likable&lt;/del&gt;, first-person voice.    &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;SR: There are so many good answers to this question, it’s difficult to pick only one.  I think pretty much all writers have to tip their hat to Humbert Humbert in &amp;#039;&amp;#039;Lolita&amp;#039;&amp;#039;.  I really fell for Grace’s tricks in Margaret Atwood’s &amp;#039;&amp;#039;Alias Grace&amp;#039;&amp;#039;.  And then in terms of more reliable narrators, of course&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/ins&gt;I love Nick from &amp;#039;&amp;#039;The Great Gatsby&amp;#039;&amp;#039;.  He provides kind of a neutral, third-person perspective while still possessing the immediacy of a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;likeable&lt;/ins&gt;, first-person voice.    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;BB: I loved the book, as I think I just about conveyed in my review&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;but found it incredibly hard to write a review without spoiling it. How difficult is it for you to talk about the book without giving anything away?&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &amp;#039;&amp;#039;&amp;#039;BB: I loved the book, as I think I just about conveyed in my review but found it incredibly hard to write a review without spoiling it. How difficult is it for you to talk about the book without giving anything away?&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;SR: Quite difficult!  I didn’t realize this until I went on a book tour and found myself stumbling around to adequately answer questions while at the same time not giving away any spoilers.  It’s tricky.    &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;SR: Quite difficult!  I didn’t realize this until I went on a book tour and found myself stumbling around to adequately answer questions while at the same time not giving away any spoilers.  It’s tricky.    &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Interview:_Bookbag_Talks_To_Suzanne_Rindell&amp;diff=66395&amp;oldid=prev</id>
		<title>Sue: Created page with &quot;{{infoboxinterviews |title=The Interview: Bookbag Talks To Suzanne Rindell |reviewer=Robert James |summary=Robert was completely blown away by The Other Typist by Suzanne Ri...&quot;</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Interview:_Bookbag_Talks_To_Suzanne_Rindell&amp;diff=66395&amp;oldid=prev"/>
		<updated>2014-01-16T14:01:50Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{infoboxinterviews |title=The Interview: Bookbag Talks To Suzanne Rindell |reviewer=Robert James |summary=Robert was completely blown away by The Other Typist by Suzanne Ri...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New review&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{infoboxinterviews&lt;br /&gt;
|title=The Interview: Bookbag Talks To Suzanne Rindell&lt;br /&gt;
|reviewer=Robert James&lt;br /&gt;
|summary=Robert was completely blown away by [[The Other Typist by Suzanne Rindell|The Other Typist]] and he had quite a few questions for author Suzanne Rindell when she popped in to see us.&lt;br /&gt;
|amazonuk=&amp;lt;amazonuk&amp;gt;0241002885&amp;lt;/amazonuk&amp;gt; &lt;br /&gt;
|amazonus=&amp;lt;amazonus&amp;gt;0241002885&amp;lt;/amazonus&amp;gt;&lt;br /&gt;
|date=17 January 2014&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
Robert was completely blown away by [[The Other Typist by Suzanne Rindell|The Other Typist]] and he had quite a few questions for author Suzanne Rindell when she popped in to see us.&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;Bookbag: When you close your eyes and imagine your readers, who do you see?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
Suzanne Rindell: Well, I try to imagine everyone who might possibly have the tiniest bit of interest – I really dislike authors who harbor ideas about some sort of &amp;#039;&amp;#039;preferred&amp;#039;&amp;#039; audience.  &lt;br /&gt;
&lt;br /&gt;
That said, it’s kind of funny; in that immediate moment when you sit down to write, you don’t imagine anyone reading your work.  Not when you’re in the headspace where you’re actually inventing things.  I think it gives you the freedom to write all the wrong stuff, which is often so necessary for writing the &amp;#039;&amp;#039;right&amp;#039;&amp;#039; stuff!  &lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;BB: [[The Other Typist by Suzanne Rindell|The Other Typist]] features one of the most captivating narrators of the year so far. Who&amp;#039;s your favourite narrator in any book you&amp;#039;ve read?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
SR: There are so many good answers to this question, it’s difficult to pick only one.  I think pretty much all writers have to tip their hat to Humbert Humbert in &amp;#039;&amp;#039;Lolita&amp;#039;&amp;#039;.  I really fell for Grace’s tricks in Margaret Atwood’s &amp;#039;&amp;#039;Alias Grace&amp;#039;&amp;#039;.  And then in terms of more reliable narrators, of course I love Nick from &amp;#039;&amp;#039;The Great Gatsby&amp;#039;&amp;#039;.  He provides kind of a neutral, third-person perspective while still possessing the immediacy of a likable, first-person voice.   &lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;BB: I loved the book, as I think I just about conveyed in my review, but found it incredibly hard to write a review without spoiling it. How difficult is it for you to talk about the book without giving anything away?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
SR: Quite difficult!  I didn’t realize this until I went on a book tour and found myself stumbling around to adequately answer questions while at the same time not giving away any spoilers.  It’s tricky.   &lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;BB: What were your inspirations for The Other Typist?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
SR:  I was working on my academic dissertation in 1920s literature and culture, and I came upon the obituary of a woman who had worked as a typist in a police precinct during the Prohibition era.  I was intrigued by what her daily life might have been like, and not long after that, I began hearing Rose’s voice narrating in my head.  It was really a question of listening to that voice and following it where it led.  &lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;BB:  If you were heading to a speakeasy, which six literary characters or authors would you want to be meeting up with there?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
SR: Any six, no matter how anachronistic?  Hmm.  Jay Gatsby as the MIA host, Holly Golightly to remind everyone they’re fabulous, Dean Moriarty to get rip-roaring drunk and be the life of the party, Molly Bloom because I feel like she could do with a night out on the town, Tom Ripley to perform impersonations of all the party guests… and maybe Miss Havisham off in the corner guzzling a much-needed martini and showing off her decaying wedding dress.&lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;BB: The Other Typist has been named one of Amazon&amp;#039;s top 10 picks of the month, one of the top 10 summer books in Marie Claire and in Publisher&amp;#039;s Weekly, and (most impressively of all, of course) got a rare five-star review from me here on The Bookbag. Were you expecting your debut novel to be this well-received?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
SR: No, it’s been a surprise!  A wonderful surprise, but certainly a surprise.  &lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;BB: Do you listen to music when you write? If so, what was the soundtrack to The Other Typist?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
SR: Sometimes.  I either listen to classical or jazz while writing.  Preferably things without lyrics to distract me.  However, while writing &amp;#039;&amp;#039;The Other Typist&amp;#039;&amp;#039;, I created an Al Jolson station on Pandora, which really helped me get into the mood to write the speakeasy scenes.  &lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;BB: What are you reading at the moment?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
SR: I’m rereading lots of 1950s stuff: &amp;#039;&amp;#039;Giovanni’s Room&amp;#039;&amp;#039; by James Baldwin, &amp;#039;&amp;#039;The Bell Jar&amp;#039;&amp;#039; by Sylvia Plath, &amp;#039;&amp;#039;On the Road&amp;#039;&amp;#039; by Jack Kerouac, &amp;#039;&amp;#039;The Best of Everything&amp;#039;&amp;#039; by Rona Jaffe, &amp;#039;&amp;#039;Catcher in the Rye&amp;#039;&amp;#039; by JD Salinger, etc. &lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;BB: What would you recommend for readers to keep them busy while they&amp;#039;re waiting for your next book?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
SR: There’s so much great stuff out there right now.  I tend to pick up whatever’s new-ish in paperback or else things that have been out for a while but that I haven’t read yet. In that vein, &amp;#039;&amp;#039;Beautiful Ruins&amp;#039;&amp;#039; by Jess Walter has been wonderful so far.  And same goes for &amp;#039;&amp;#039;The Wife&amp;#039;&amp;#039; by Meg Wolitzer.  &lt;br /&gt;
&lt;br /&gt;
* &amp;#039;&amp;#039;&amp;#039;BB: What&amp;#039;s next for Suzanne Rindell?&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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SR: I’m working on a second novel, set in 1950s Greenwich Village, focusing on the crossover between the beatnik scene and the publishing scene.  I’m really enjoying this new group of characters.   &lt;br /&gt;
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* &amp;#039;&amp;#039;&amp;#039;BB: We look forward to hearing all about them, Suzanne&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
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[[Category:Interviews|Rindell, Suzanne]]  [[Category:Suzanne Rindell]]&lt;/div&gt;</summary>
		<author><name>Sue</name></author>
		
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