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	<id>http://www.thebookbag.co.uk/w/index.php?action=history&amp;feed=atom&amp;title=The_Fourth_Wall_by_Walter_Jon_Williams</id>
	<title>The Fourth Wall by Walter Jon Williams - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://www.thebookbag.co.uk/w/index.php?action=history&amp;feed=atom&amp;title=The_Fourth_Wall_by_Walter_Jon_Williams"/>
	<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;action=history"/>
	<updated>2026-06-03T00:33:03Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.34.2</generator>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=126315&amp;oldid=prev</id>
		<title>Sue at 12:44, 9 March 2018</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=126315&amp;oldid=prev"/>
		<updated>2018-03-09T12:44:14Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 12:44, 9 March 2018&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;infobox&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;infobox1&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|title=The Fourth Wall&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|title=The Fourth Wall&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|sort=Fourth Wall&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|sort=Fourth Wall&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l12&quot; &gt;Line 12:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 12:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|publisher=Orbit&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|publisher=Orbit&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|date=February 2012&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|date=February 2012&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|amazonuk=&amp;lt;amazonuk&amp;gt;1841498254&amp;lt;/amazonuk&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|amazonus=&amp;lt;amazonus&amp;gt;B006WQRX24&amp;lt;/amazonus&amp;gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|website=http://www.walterjonwilliams.net&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|website=http://www.walterjonwilliams.net&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|video=&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|summary=Sean Makin wants more meaningful acting work and is desperate enough not to ask too many questions.  Action packed science fiction, mixed with ‘whodunit’ and served up with a large side order of cynical satire.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|summary=Sean Makin wants more meaningful acting work and is desperate enough not to ask too many questions.  Action packed science fiction, mixed with ‘whodunit’ and served up with a large side order of cynical satire.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|cover=1841498254&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|aznuk=1841498254&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|aznus=B006WQRX24&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=81428&amp;oldid=prev</id>
		<title>Sue at 11:05, 26 December 2014</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=81428&amp;oldid=prev"/>
		<updated>2014-12-26T11:05:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 11:05, 26 December 2014&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l9&quot; &gt;Line 9:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 9:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|borrow=Yes&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|borrow=Yes&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|isbn=978-1841498256&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|isbn=978-1841498256&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|paperback=1841498254&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|hardback=&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|audiobook=&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|ebook=B006WQRX24&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|pages=384&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|pages=384&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|publisher=Orbit&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|publisher=Orbit&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l43&quot; &gt;Line 43:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;If you haven&amp;#039;t had the pleasure, may I suggest [[This Is Not A Game by Walter Jon Williams|This Is Not A Game]].  If you&amp;#039;ve read this and fancy another light movie-themed crime thriller, try [[Bloodthirsty by Marshall Karp]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;If you haven&amp;#039;t had the pleasure, may I suggest [[This Is Not A Game by Walter Jon Williams|This Is Not A Game]].  If you&amp;#039;ve read this and fancy another light movie-themed crime thriller, try [[Bloodthirsty by Marshall Karp]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{amazontext|amazon=1841498254}} {{&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;waterstonestext&lt;/del&gt;|&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;waterstones&lt;/del&gt;=&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;8451014&lt;/del&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{amazontext|amazon=1841498254}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;amazonUStext&lt;/ins&gt;|&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;amazon&lt;/ins&gt;=&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;B006WQRX24&lt;/ins&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{commenthead}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{commenthead}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=50006&amp;oldid=prev</id>
		<title>Sue at 13:38, 8 September 2012</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=50006&amp;oldid=prev"/>
		<updated>2012-09-08T13:38:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:38, 8 September 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l48&quot; &gt;Line 48:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 48:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Crime]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Crime]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Thrillers]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43332&amp;oldid=prev</id>
		<title>Sue at 13:13, 7 February 2012</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43332&amp;oldid=prev"/>
		<updated>2012-02-07T13:13:57Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:13, 7 February 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l35&quot; &gt;Line 35:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 35:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Indeed, talking about back catalogues, this author is both prolific and versatile.  The list of sci-fi genres in which he&amp;#039;s proficient includes military, fantasy, the intriguingly classification post-cyberpunk space opera plus he&amp;#039;s written a &amp;#039;&amp;#039;Star Wars&amp;#039;&amp;#039; novel.  He&amp;#039;s also an online gamer and here &amp;#039;&amp;#039;The Fourth Wall&amp;#039;&amp;#039; merges his hobby and livelihood beautifully as he explains the mechanics and background of ‘Alternate Reality&amp;#039;.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Indeed, talking about back catalogues, this author is both prolific and versatile.  The list of sci-fi genres in which he&amp;#039;s proficient includes military, fantasy, the intriguingly classification post-cyberpunk space opera plus he&amp;#039;s written a &amp;#039;&amp;#039;Star Wars&amp;#039;&amp;#039; novel.  He&amp;#039;s also an online gamer and here &amp;#039;&amp;#039;The Fourth Wall&amp;#039;&amp;#039; merges his hobby and livelihood beautifully as he explains the mechanics and background of ‘Alternate Reality&amp;#039;.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The characters are as three-dimensional as necessary for a fast moving book like this.  Sean is superficial, but beneath the ego he harbours a dark secret.  So dark that, as bad things begin to happen, he wonders if he instigated them.  Dagmar is as distant and cold as anyone with her past or her future plans would be.  The twists come thick and fast towards the end.  One or two may be obvious but the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;sruprises &lt;/del&gt;compensate for this nicely.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The characters are as three-dimensional as necessary for a fast moving book like this.  Sean is superficial, but beneath the ego he harbours a dark secret.  So dark that, as bad things begin to happen, he wonders if he instigated them.  Dagmar is as distant and cold as anyone with her past or her future plans would be.  The twists come thick and fast towards the end.  One or two may be obvious but the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;surprises &lt;/ins&gt;compensate for this nicely.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is a hybrid book.  Along with the satire and the chilling possibilities that encouraging today&amp;#039;s trends may bring, there co-exists a good crime thriller.  This may not be a book that sets the literary world alight, but its good shut-out-the-world escapism that may just leave you a little anxious as you realise that Sean Makin&amp;#039;s fictional journey has already started to bleed into real life.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is a hybrid book.  Along with the satire and the chilling possibilities that encouraging today&amp;#039;s trends may bring, there co-exists a good crime thriller.  This may not be a book that sets the literary world alight, but its good shut-out-the-world escapism that may just leave you a little anxious as you realise that Sean Makin&amp;#039;s fictional journey has already started to bleed into real life.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43331&amp;oldid=prev</id>
		<title>Sue at 13:12, 7 February 2012</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43331&amp;oldid=prev"/>
		<updated>2012-02-07T13:12:15Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:12, 7 February 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sean Makin was a cute, much demanded child actor.  Then he grew up and the cute became creepy as the baby face that had made him famous remained (due to a physical condition) but was unsuited to an &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;adult’s &lt;/del&gt;body.  So the demand dried up and Sean tries to come to terms with his change of fortunes by writing a &amp;#039;how to act&amp;#039; blog, intoxicating substances and appearances on a reality celebrity martial arts fight show.  One day, whilst being beaten up for the cameras in a wrestling ring full of cottage cheese, he realises the depths to which &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;he’s &lt;/del&gt;sunk.  Something has to change!  Luckily change soon arrives in the form of &amp;#039;Alternate Reality&amp;#039; magnate, Dagmar Shaw.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sean Makin was a cute, much demanded child actor.  Then he grew up and the cute became creepy as the baby face that had made him famous remained (due to a physical condition) but was unsuited to an &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;adult&amp;#039;s &lt;/ins&gt;body.  So the demand dried up and Sean tries to come to terms with his change of fortunes by writing a &amp;#039;how to act&amp;#039; blog, intoxicating substances and appearances on a reality celebrity martial arts fight show.  One day, whilst being beaten up for the cameras in a wrestling ring full of cottage cheese, he realises the depths to which &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;he&amp;#039;s &lt;/ins&gt;sunk.  Something has to change!  Luckily change soon arrives in the form of &amp;#039;Alternate Reality&amp;#039; magnate, Dagmar Shaw.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dagmar, as readers of [[:Category:Walter Jon Williams|Walter Jon Williams&amp;#039;]] previous books [[This Is Not A Game by Walter Jon Williams|This Is Not A Game]] and &amp;#039;&amp;#039;Deep State&amp;#039;&amp;#039; will know, specialises in games that invade the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;players’ &lt;/del&gt;real lives.  Dagmar, however, is branching out.  She is now looking for talent to appear in a unique kind of feature film.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Dagmar’s &lt;/del&gt;history may be littered with the unexplained deaths of friends and colleagues, but Sean desperately wants the work.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;There’s &lt;/del&gt;only so much public humiliation in dairy produce that an ego can take.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dagmar, as readers of [[:Category:Walter Jon Williams|Walter Jon Williams&amp;#039;]] previous books [[This Is Not A Game by Walter Jon Williams|This Is Not A Game]] and &amp;#039;&amp;#039;Deep State&amp;#039;&amp;#039; will know, specialises in games that invade the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;players&amp;#039; &lt;/ins&gt;real lives.  Dagmar, however, is branching out.  She is now looking for talent to appear in a unique kind of feature film.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Dagmar&amp;#039;s &lt;/ins&gt;history may be littered with the unexplained deaths of friends and colleagues, but Sean desperately wants the work.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;There&amp;#039;s &lt;/ins&gt;only so much public humiliation in dairy produce that an ego can take.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is the third Dagmar Shaw book written by WJW (as his fans refer to him... understandably), but the novel belongs to Sean Makin.  The story is told with his voice and through him WJW can explore the plight of the discarded child actor.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;It’s &lt;/del&gt;all here:  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Sean’s &lt;/del&gt;parents stole from him throughout his childhood and, when the gravy train ran off the rails, his father disappeared and his mother went to join an ashram in India.  (Some of the humour comes through his email conversations with his mother that intersperse the story narrative, along with his blog and the posted comments of his fans.)   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is the third Dagmar Shaw book written by WJW (as his fans refer to him... understandably), but the novel belongs to Sean Makin.  The story is told with his voice and through him WJW can explore the plight of the discarded child actor.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;It&amp;#039;s &lt;/ins&gt;all here:  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Sean&amp;#039;s &lt;/ins&gt;parents stole from him throughout his childhood and, when the gravy train ran off the rails, his father disappeared and his mother went to join an ashram in India.  (Some of the humour comes through his email conversations with his mother that intersperse the story narrative, along with his blog and the posted comments of his fans.)   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The cynicism of celebrity reality shows also comes under the &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;author’s &lt;/del&gt;microscope.  The producers of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;‘Celebrity Pitfighter’&lt;/del&gt;, the show that keeps Sean off the streets, feed off &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;celebrities’ &lt;/del&gt;desperation for fame and willingness to do anything for a few moments before the public.  As much as &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;we’d &lt;/del&gt;like to believe this is a total fabrication from a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;writer’s &lt;/del&gt;imagination, the sight of celebrities stuffing their mouths with insects on &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;‘’I’m &lt;/del&gt;a Celebrity...&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;’’ &lt;/del&gt;may hint otherwise.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The cynicism of celebrity reality shows also comes under the &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;author&amp;#039;s &lt;/ins&gt;microscope.  The producers of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;Celebrity Pitfighter&amp;#039;&lt;/ins&gt;, the show that keeps Sean off the streets, feed off &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;celebrities&amp;#039; &lt;/ins&gt;desperation for fame and willingness to do anything for a few moments before the public.  As much as &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;we&amp;#039;d &lt;/ins&gt;like to believe this is a total fabrication from a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;writer&amp;#039;s &lt;/ins&gt;imagination, the sight of celebrities stuffing their mouths with insects on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;I&amp;#039;m &lt;/ins&gt;a Celebrity...&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039; &lt;/ins&gt;may hint otherwise.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I came to this book without having read the previous two and it didn&amp;#039;t affect my enjoyment.  Williams cleverly alludes back to the first books in a way that leaves them shrouded in mystery for those who aren&amp;#039;t familiar with them, but with enough information to raise a knowing nod from those who are.  They&amp;#039;ve read the books and therefore know the background – a device that cleverly encourages interest in the Dagmar Shaw back catalogue.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I came to this book without having read the previous two and it didn&amp;#039;t affect my enjoyment.  Williams cleverly alludes back to the first books in a way that leaves them shrouded in mystery for those who aren&amp;#039;t familiar with them, but with enough information to raise a knowing nod from those who are.  They&amp;#039;ve read the books and therefore know the background – a device that cleverly encourages interest in the Dagmar Shaw back catalogue.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Indeed, talking about back catalogues, this author is both prolific and versatile.  The list of sci-fi genres in which &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;he’s &lt;/del&gt;proficient includes military, fantasy, the intriguingly classification post-cyberpunk space opera plus &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;he’s &lt;/del&gt;written a &amp;#039;&amp;#039;Star Wars&amp;#039;&amp;#039; novel.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;He’s &lt;/del&gt;also an online gamer and here &amp;#039;&amp;#039;The Fourth Wall&amp;#039;&amp;#039; merges his hobby and livelihood beautifully as he explains the mechanics and background of ‘Alternate &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Reality’&lt;/del&gt;.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Indeed, talking about back catalogues, this author is both prolific and versatile.  The list of sci-fi genres in which &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;he&amp;#039;s &lt;/ins&gt;proficient includes military, fantasy, the intriguingly classification post-cyberpunk space opera plus &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;he&amp;#039;s &lt;/ins&gt;written a &amp;#039;&amp;#039;Star Wars&amp;#039;&amp;#039; novel.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;He&amp;#039;s &lt;/ins&gt;also an online gamer and here &amp;#039;&amp;#039;The Fourth Wall&amp;#039;&amp;#039; merges his hobby and livelihood beautifully as he explains the mechanics and background of ‘Alternate &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Reality&amp;#039;&lt;/ins&gt;.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The characters are as three-dimensional as necessary for a fast moving book like this.  Sean is superficial, but beneath the ego he harbours a dark secret.  So dark that, as bad things begin to happen, he wonders if he instigated them.  Dagmar is as distant and cold as anyone with her past or her future plans would be.  The twists come thick and fast towards the end.  One or two may be obvious but the sruprises compensate for this nicely.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The characters are as three-dimensional as necessary for a fast moving book like this.  Sean is superficial, but beneath the ego he harbours a dark secret.  So dark that, as bad things begin to happen, he wonders if he instigated them.  Dagmar is as distant and cold as anyone with her past or her future plans would be.  The twists come thick and fast towards the end.  One or two may be obvious but the sruprises compensate for this nicely.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is a hybrid book.  Along with the satire and the chilling possibilities that encouraging &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;today’s &lt;/del&gt;trends may bring, there co-exists a good crime thriller.  This may not be a book that sets the literary world alight, but its good shut-out-the-world escapism that may just leave you a little anxious as you realise that Sean &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Makin’s &lt;/del&gt;fictional journey has already started to bleed into real life.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is a hybrid book.  Along with the satire and the chilling possibilities that encouraging &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;today&amp;#039;s &lt;/ins&gt;trends may bring, there co-exists a good crime thriller.  This may not be a book that sets the literary world alight, but its good shut-out-the-world escapism that may just leave you a little anxious as you realise that Sean &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Makin&amp;#039;s &lt;/ins&gt;fictional journey has already started to bleed into real life.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I would like to thank Orbit for providing Bookbag with a copy of this book to review.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I would like to thank Orbit for providing Bookbag with a copy of this book to review.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43330&amp;oldid=prev</id>
		<title>Sue at 13:05, 7 February 2012</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43330&amp;oldid=prev"/>
		<updated>2012-02-07T13:05:53Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:05, 7 February 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l17&quot; &gt;Line 17:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|amazonuk=&amp;lt;amazonuk&amp;gt;1841498254&amp;lt;/amazonuk&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|amazonuk=&amp;lt;amazonuk&amp;gt;1841498254&amp;lt;/amazonuk&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|amazonus=&amp;lt;amazonus&amp;gt;&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;1841498254&lt;/del&gt;&amp;lt;/amazonus&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|amazonus=&amp;lt;amazonus&amp;gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;B006WQRX24&lt;/ins&gt;&amp;lt;/amazonus&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|website=http://www.walterjonwilliams.net&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|website=http://www.walterjonwilliams.net&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|video=&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;|video=&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43329&amp;oldid=prev</id>
		<title>Sue at 13:05, 7 February 2012</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43329&amp;oldid=prev"/>
		<updated>2012-02-07T13:05:35Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:05, 7 February 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l23&quot; &gt;Line 23:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 23:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sean Makin was a cute, much demanded child actor.  Then he grew up and the cute became creepy as the baby face that had made him famous remained (due to a physical condition) but was unsuited to an adult’s body.  So the demand dried up and Sean tries to come to terms with his change of fortunes by writing a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;‘how &lt;/del&gt;to &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;act’ &lt;/del&gt;blog, intoxicating substances and appearances on a reality celebrity martial arts fight show.  One day, whilst being beaten up for the cameras in a wrestling ring full of cottage cheese, he realises the depths to which he’s sunk.  Something has to change!  Luckily change soon arrives in the form of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;‘Alternate Reality’ &lt;/del&gt;magnate, Dagmar Shaw.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sean Makin was a cute, much demanded child actor.  Then he grew up and the cute became creepy as the baby face that had made him famous remained (due to a physical condition) but was unsuited to an adult’s body.  So the demand dried up and Sean tries to come to terms with his change of fortunes by writing a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;how &lt;/ins&gt;to &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;act&amp;#039; &lt;/ins&gt;blog, intoxicating substances and appearances on a reality celebrity martial arts fight show.  One day, whilst being beaten up for the cameras in a wrestling ring full of cottage cheese, he realises the depths to which he’s sunk.  Something has to change!  Luckily change soon arrives in the form of &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;Alternate Reality&amp;#039; &lt;/ins&gt;magnate, Dagmar Shaw.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dagmar, as readers of [[:Category:Walter Jon Williams|Walter Jon Williams&amp;#039;]] previous books [[This &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;is not a &lt;/del&gt;Game]] and &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;‘’Deep State’’ &lt;/del&gt;will know, specialises in games that invade the players’ real lives.  Dagmar, however, is branching out.  She is now looking for talent to appear in a unique kind of feature film.  Dagmar’s history may be littered with the unexplained deaths of friends and colleagues, but Sean desperately wants the work.  There’s only so much public humiliation in dairy produce that an ego can take.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dagmar, as readers of [[:Category:Walter Jon Williams|Walter Jon Williams&amp;#039;]] previous books [[This &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Is Not A Game by Walter Jon Williams|This Is Not A &lt;/ins&gt;Game]] and &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;Deep State&amp;#039;&amp;#039; &lt;/ins&gt;will know, specialises in games that invade the players’ real lives.  Dagmar, however, is branching out.  She is now looking for talent to appear in a unique kind of feature film.  Dagmar’s history may be littered with the unexplained deaths of friends and colleagues, but Sean desperately wants the work.  There’s only so much public humiliation in dairy produce that an ego can take.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is the third Dagmar Shaw book written by WJW (as his fans refer to him... understandably), but the novel belongs to Sean Makin.  The story is told with his voice and through him WJW can explore the plight of the discarded child actor.  It’s all here:  Sean’s parents stole from him throughout his childhood and, when the gravy train ran off the rails, his father disappeared and his mother went to join an ashram in India.  (Some of the humour comes through his email conversations with his mother that intersperse the story narrative, along with his blog and the posted comments of his fans.)   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is the third Dagmar Shaw book written by WJW (as his fans refer to him... understandably), but the novel belongs to Sean Makin.  The story is told with his voice and through him WJW can explore the plight of the discarded child actor.  It’s all here:  Sean’s parents stole from him throughout his childhood and, when the gravy train ran off the rails, his father disappeared and his mother went to join an ashram in India.  (Some of the humour comes through his email conversations with his mother that intersperse the story narrative, along with his blog and the posted comments of his fans.)   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l31&quot; &gt;Line 31:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 31:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The cynicism of celebrity reality shows also comes under the author’s microscope.  The producers of ‘Celebrity Pitfighter’, the show that keeps Sean off the streets, feed off celebrities’ desperation for fame and willingness to do anything for a few moments before the public.  As much as we’d like to believe this is a total fabrication from a writer’s imagination, the sight of celebrities stuffing their mouths with insects on ‘’I’m a Celebrity...’’ may hint otherwise.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The cynicism of celebrity reality shows also comes under the author’s microscope.  The producers of ‘Celebrity Pitfighter’, the show that keeps Sean off the streets, feed off celebrities’ desperation for fame and willingness to do anything for a few moments before the public.  As much as we’d like to believe this is a total fabrication from a writer’s imagination, the sight of celebrities stuffing their mouths with insects on ‘’I’m a Celebrity...’’ may hint otherwise.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I came to this book without having read the previous two and it &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;didn’t &lt;/del&gt;affect my enjoyment.  Williams cleverly alludes back to the first books in a way that leaves them shrouded in mystery for those who &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;aren’t &lt;/del&gt;familiar with them, but with enough information to raise a knowing nod from those who are.  &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;They’ve &lt;/del&gt;read the books and therefore know the background – a device that cleverly encourages interest in the Dagmar Shaw back catalogue.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I came to this book without having read the previous two and it &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;didn&amp;#039;t &lt;/ins&gt;affect my enjoyment.  Williams cleverly alludes back to the first books in a way that leaves them shrouded in mystery for those who &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;aren&amp;#039;t &lt;/ins&gt;familiar with them, but with enough information to raise a knowing nod from those who are.  &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;They&amp;#039;ve &lt;/ins&gt;read the books and therefore know the background – a device that cleverly encourages interest in the Dagmar Shaw back catalogue.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Indeed, talking about back catalogues, this author is both prolific and versatile.  The list of sci-fi genres in which he’s proficient includes military, fantasy, the intriguingly classification post-cyberpunk space opera plus he’s written a &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;‘’Star Wars’’ &lt;/del&gt;novel.  He’s also an online gamer and here &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;‘’The &lt;/del&gt;Fourth &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Wall’’ &lt;/del&gt;merges his hobby and livelihood beautifully as he explains the mechanics and background of ‘Alternate Reality’.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Indeed, talking about back catalogues, this author is both prolific and versatile.  The list of sci-fi genres in which he’s proficient includes military, fantasy, the intriguingly classification post-cyberpunk space opera plus he’s written a &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;Star Wars&amp;#039;&amp;#039; &lt;/ins&gt;novel.  He’s also an online gamer and here &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;&amp;#039;&amp;#039;The &lt;/ins&gt;Fourth &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Wall&amp;#039;&amp;#039; &lt;/ins&gt;merges his hobby and livelihood beautifully as he explains the mechanics and background of ‘Alternate Reality’.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The characters are as three-dimensional as necessary for a fast moving book like this.  Sean is superficial, but beneath the ego he harbours a dark secret.  So dark that, as bad things begin to happen, he wonders if he instigated them.  Dagmar is as distant and cold as anyone with her past or her future plans would be.  The twists come thick and fast towards the end.  One or two may be obvious but the sruprises compensate for this nicely.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The characters are as three-dimensional as necessary for a fast moving book like this.  Sean is superficial, but beneath the ego he harbours a dark secret.  So dark that, as bad things begin to happen, he wonders if he instigated them.  Dagmar is as distant and cold as anyone with her past or her future plans would be.  The twists come thick and fast towards the end.  One or two may be obvious but the sruprises compensate for this nicely.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l41&quot; &gt;Line 41:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 41:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I would like to thank Orbit for providing Bookbag with a copy of this book to review.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I would like to thank Orbit for providing Bookbag with a copy of this book to review.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;If you haven&amp;#039;t had the pleasure, may I suggest [[This &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;is &lt;/del&gt;Not &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;a &lt;/del&gt;Game by Walter Jon Williams]].  If you&amp;#039;ve read this and fancy another light movie-themed crime thriller, try [[Bloodthirsty by Marshall Karp]].&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;If you haven&amp;#039;t had the pleasure, may I suggest [[This &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Is &lt;/ins&gt;Not &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;A &lt;/ins&gt;Game by Walter Jon Williams&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;|This Is Not A Game&lt;/ins&gt;]].  If you&amp;#039;ve read this and fancy another light movie-themed crime thriller, try [[Bloodthirsty by Marshall Karp]].&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{amazontext|amazon=1841498254}} {{waterstonestext|waterstones=8451014}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{amazontext|amazon=1841498254}} {{waterstonestext|waterstones=8451014}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{commenthead}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{commenthead}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt; &lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Crime]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Crime]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43328&amp;oldid=prev</id>
		<title>Sue at 13:03, 7 February 2012</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43328&amp;oldid=prev"/>
		<updated>2012-02-07T13:03:24Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 13:03, 7 February 2012&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot; &gt;Line 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sean Makin was a cute, much demanded child actor.  Then he grew up and the cute became creepy as the baby face that had made him famous remained (due to a physical condition) but was unsuited to an adult’s body.  So the demand dried up and Sean tries to come to terms with his change of fortunes by writing a ‘how to act’ blog, intoxicating substances and appearances on a reality celebrity martial arts fight show.  One day, whilst being beaten up for the cameras in a wrestling ring full of cottage cheese, he realises the depths to which he’s sunk.  Something has to change!  Luckily change soon arrives in the form of ‘Alternate Reality’ magnate, Dagmar Shaw.   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Sean Makin was a cute, much demanded child actor.  Then he grew up and the cute became creepy as the baby face that had made him famous remained (due to a physical condition) but was unsuited to an adult’s body.  So the demand dried up and Sean tries to come to terms with his change of fortunes by writing a ‘how to act’ blog, intoxicating substances and appearances on a reality celebrity martial arts fight show.  One day, whilst being beaten up for the cameras in a wrestling ring full of cottage cheese, he realises the depths to which he’s sunk.  Something has to change!  Luckily change soon arrives in the form of ‘Alternate Reality’ magnate, Dagmar Shaw.   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dagmar, as readers of [[Walter Jon &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;Williams’&lt;/del&gt;]] previous books [[This is not a Game]] and ‘’Deep State’’ will know, specialises in games that invade the players’ real lives.  Dagmar, however, is branching out.  She is now looking for talent to appear in a unique kind of feature film.  Dagmar’s history may be littered with the unexplained deaths of friends and colleagues, but Sean desperately wants the work.  There’s only so much public humiliation in dairy produce that an ego can take.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Dagmar, as readers of [[&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;:Category:&lt;/ins&gt;Walter Jon &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;Williams|Walter Jon Williams&amp;#039;&lt;/ins&gt;]] previous books [[This is not a Game]] and ‘’Deep State’’ will know, specialises in games that invade the players’ real lives.  Dagmar, however, is branching out.  She is now looking for talent to appear in a unique kind of feature film.  Dagmar’s history may be littered with the unexplained deaths of friends and colleagues, but Sean desperately wants the work.  There’s only so much public humiliation in dairy produce that an ego can take.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is the third Dagmar Shaw book written by WJW (as his fans refer to him... understandably), but the novel belongs to Sean Makin.  The story is told with his voice and through him WJW can explore the plight of the discarded child actor.  It’s all here:  Sean’s parents stole from him throughout his childhood and, when the gravy train ran off the rails, his father disappeared and his mother went to join an ashram in India.  (Some of the humour comes through his email conversations with his mother that intersperse the story narrative, along with his blog and the posted comments of his fans.)   &lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;This is the third Dagmar Shaw book written by WJW (as his fans refer to him... understandably), but the novel belongs to Sean Makin.  The story is told with his voice and through him WJW can explore the plight of the discarded child actor.  It’s all here:  Sean’s parents stole from him throughout his childhood and, when the gravy train ran off the rails, his father disappeared and his mother went to join an ashram in India.  (Some of the humour comes through his email conversations with his mother that intersperse the story narrative, along with his blog and the posted comments of his fans.)   &lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43327&amp;oldid=prev</id>
		<title>Sue: Created page with &quot;{{infobox |title=The Fourth Wall |sort=Fourth Wall |author=Walter Jon Williams |reviewer=Ani Johnson |genre=Science Fiction |rating=4 |buy=Yes |borrow=Yes |isbn=978-1841498256...&quot;</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=The_Fourth_Wall_by_Walter_Jon_Williams&amp;diff=43327&amp;oldid=prev"/>
		<updated>2012-02-07T13:02:25Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{infobox |title=The Fourth Wall |sort=Fourth Wall |author=Walter Jon Williams |reviewer=Ani Johnson |genre=Science Fiction |rating=4 |buy=Yes |borrow=Yes |isbn=978-1841498256...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New review&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{infobox&lt;br /&gt;
|title=The Fourth Wall&lt;br /&gt;
|sort=Fourth Wall&lt;br /&gt;
|author=Walter Jon Williams&lt;br /&gt;
|reviewer=Ani Johnson&lt;br /&gt;
|genre=Science Fiction&lt;br /&gt;
|rating=4&lt;br /&gt;
|buy=Yes&lt;br /&gt;
|borrow=Yes&lt;br /&gt;
|isbn=978-1841498256&lt;br /&gt;
|paperback=1841498254&lt;br /&gt;
|hardback=&lt;br /&gt;
|audiobook=&lt;br /&gt;
|ebook=B006WQRX24&lt;br /&gt;
|pages=384&lt;br /&gt;
|publisher=Orbit&lt;br /&gt;
|date=February 2012&lt;br /&gt;
|amazonuk=&amp;lt;amazonuk&amp;gt;1841498254&amp;lt;/amazonuk&amp;gt;&lt;br /&gt;
|amazonus=&amp;lt;amazonus&amp;gt;1841498254&amp;lt;/amazonus&amp;gt;&lt;br /&gt;
|website=http://www.walterjonwilliams.net&lt;br /&gt;
|video=&lt;br /&gt;
|summary=Sean Makin wants more meaningful acting work and is desperate enough not to ask too many questions.  Action packed science fiction, mixed with ‘whodunit’ and served up with a large side order of cynical satire.&lt;br /&gt;
}}&lt;br /&gt;
&lt;br /&gt;
Sean Makin was a cute, much demanded child actor.  Then he grew up and the cute became creepy as the baby face that had made him famous remained (due to a physical condition) but was unsuited to an adult’s body.  So the demand dried up and Sean tries to come to terms with his change of fortunes by writing a ‘how to act’ blog, intoxicating substances and appearances on a reality celebrity martial arts fight show.  One day, whilst being beaten up for the cameras in a wrestling ring full of cottage cheese, he realises the depths to which he’s sunk.  Something has to change!  Luckily change soon arrives in the form of ‘Alternate Reality’ magnate, Dagmar Shaw.  &lt;br /&gt;
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Dagmar, as readers of [[Walter Jon Williams’]] previous books [[This is not a Game]] and ‘’Deep State’’ will know, specialises in games that invade the players’ real lives.  Dagmar, however, is branching out.  She is now looking for talent to appear in a unique kind of feature film.  Dagmar’s history may be littered with the unexplained deaths of friends and colleagues, but Sean desperately wants the work.  There’s only so much public humiliation in dairy produce that an ego can take.&lt;br /&gt;
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This is the third Dagmar Shaw book written by WJW (as his fans refer to him... understandably), but the novel belongs to Sean Makin.  The story is told with his voice and through him WJW can explore the plight of the discarded child actor.  It’s all here:  Sean’s parents stole from him throughout his childhood and, when the gravy train ran off the rails, his father disappeared and his mother went to join an ashram in India.  (Some of the humour comes through his email conversations with his mother that intersperse the story narrative, along with his blog and the posted comments of his fans.)  &lt;br /&gt;
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The cynicism of celebrity reality shows also comes under the author’s microscope.  The producers of ‘Celebrity Pitfighter’, the show that keeps Sean off the streets, feed off celebrities’ desperation for fame and willingness to do anything for a few moments before the public.  As much as we’d like to believe this is a total fabrication from a writer’s imagination, the sight of celebrities stuffing their mouths with insects on ‘’I’m a Celebrity...’’ may hint otherwise.&lt;br /&gt;
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I came to this book without having read the previous two and it didn’t affect my enjoyment.  Williams cleverly alludes back to the first books in a way that leaves them shrouded in mystery for those who aren’t familiar with them, but with enough information to raise a knowing nod from those who are.  They’ve read the books and therefore know the background – a device that cleverly encourages interest in the Dagmar Shaw back catalogue.  &lt;br /&gt;
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Indeed, talking about back catalogues, this author is both prolific and versatile.  The list of sci-fi genres in which he’s proficient includes military, fantasy, the intriguingly classification post-cyberpunk space opera plus he’s written a ‘’Star Wars’’ novel.  He’s also an online gamer and here ‘’The Fourth Wall’’ merges his hobby and livelihood beautifully as he explains the mechanics and background of ‘Alternate Reality’.  &lt;br /&gt;
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The characters are as three-dimensional as necessary for a fast moving book like this.  Sean is superficial, but beneath the ego he harbours a dark secret.  So dark that, as bad things begin to happen, he wonders if he instigated them.  Dagmar is as distant and cold as anyone with her past or her future plans would be.  The twists come thick and fast towards the end.  One or two may be obvious but the sruprises compensate for this nicely.&lt;br /&gt;
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This is a hybrid book.  Along with the satire and the chilling possibilities that encouraging today’s trends may bring, there co-exists a good crime thriller.  This may not be a book that sets the literary world alight, but its good shut-out-the-world escapism that may just leave you a little anxious as you realise that Sean Makin’s fictional journey has already started to bleed into real life.&lt;br /&gt;
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I would like to thank Orbit for providing Bookbag with a copy of this book to review.&lt;br /&gt;
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If you haven&amp;#039;t had the pleasure, may I suggest [[This is Not a Game by Walter Jon Williams]].  If you&amp;#039;ve read this and fancy another light movie-themed crime thriller, try [[Bloodthirsty by Marshall Karp]].&lt;br /&gt;
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[[Category:Crime]]&lt;/div&gt;</summary>
		<author><name>Sue</name></author>
		
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