Luke and Jon by Robert Williams - Revision history

Sue at 15:25, 20 February 2018

2018-02-20T15:25:56Z

Sue at 14:14, 17 November 2014

2014-11-17T14:14:52Z

Keith at 13:12, 7 January 2011

2011-01-07T13:12:38Z

Keith at 21:11, 24 November 2010

2010-11-24T21:11:33Z

Jill at 17:24, 16 February 2010

2010-02-16T17:24:34Z

Jill at 17:23, 16 February 2010

2010-02-16T17:23:28Z

Jill at 17:20, 16 February 2010

2010-02-16T17:20:02Z

Jill at 17:19, 16 February 2010

2010-02-16T17:19:39Z

Jill: Created page with '{{infobox |title=Luke and Jon |author=Robert Williams |reviewer=Jill Murphy |genre=General Fiction |summary=Gorgeous tale of grief, friendship and moving on. Moments of great cla…'

2010-02-16T17:19:07Z

Created page with '{{infobox |title=Luke and Jon |author=Robert Williams |reviewer=Jill Murphy |genre=General Fiction |summary=Gorgeous tale of grief, friendship and moving on. Moments of great cla…'

New review

{{infobox
|title=Luke and Jon
|author=Robert Williams
|reviewer=Jill Murphy
|genre=General Fiction
|summary=Gorgeous tale of grief, friendship and moving on. Moments of great clarity add true depth to this funny, sad, wise and truthful book. It has something for everyone.
|rating=5
|buy=Yes
|borrow=Yes
|paperback=0571249639
|pages=192
|publisher=Faber
|website=http://www.mrmen.com
|date=March 2010
|isbn=0571249639
|amazonuk=<amazonuk>0571249639</amazonuk>
|amazonus=<amazonus>0571249639</amazonus>
}}

Luke's mum died in a car accident a while ago and since then his father has let things go. The house has been repossessed and they are forced to move to a new town. The new place is falling down - it's all they can afford after the debts were paid. Neither Luke nor his father are really that bothered - what can a house be when there's no mum to fill it with her brightness and vivacity and love? The bottle of whisky that has begun to live in his father's hand though - that's a worry for Luke; that makes him feel rather sick inside.

And then Jon shows up. Jon is odd. Eccentric doesn't quite cut it - Jon is just plain odd. He wears 1950s clothes, he talks a bit like Rainman, and the truth is, he doesn't smell too great. The kids at school call Jon "Slackjaw" and bully him mercilessly, but Luke finds him strangely soothing company. And as their friendship deepens, Luke finds that the ice in his house begins to melt slightly - his artisan father even begins on a new and wonderfully creative piece that has the potential to become his greatest ever work.

But Jon has a secret. And the secret is discovered. And everything changes...

There are moments of startling clarity in this book that splinter your heart - ''I will tell the truth... There were no pieces to pick up... I should have just let them beat me up...'' - but it's never dour or grim. In fact, while some of Williams's words do hurt immensely, the overall feel has a real lightness of touch. In all art, I love the things that are outwardly delicate and beautiful and fragile, but inwardly full to brimming of powerful emotions and themes - pain, grief, anger, bullying, friendship, love, and loss, and this book is a wonderful example. It's quirky but not saccharine, painful but not hopeless, difficult but not hard.

Your heart bleeds for both boys right from the beginning, but Williams allows Luke his rose-tinted memories at first and so your sympathy is very much of the surface, isn't-it-awful-poor-lamb, variety. Gradually, though, as the bigger picture is revealed and we see the warts-and-all life that Luke loved and - with the death of his mother - lost, the superficiality disappears and it's not sympathy you feel, it's empathy. It's all so very real. But the world continues to turn, life goes on, and Jon arrives as the type of waif and stray Luke's mother would have welcomed, and becomes the catalyst for healing. I read the last page of ''Luke and Jon'' with a real sense of regret that it was all over.

It's only February and I've read some wonderful books in 2010 already, but this is my favourite book of the year so far, and by a country mile too.

More, please, Mr Williams, and soon.

My thanks to the good people at Faber for sending the book.

I've just reviewed [[No and Me by Delphine de Vigan]], which I think would also appeal. [[Apples by Richard Milward]] is a much more extreme book, but I think it might appeal. You shouldn't miss [[The Great Harlequin Grim by Gareth Thompson]] or [[Jackdaw Summer by David Almond]] either.

{{amazontext|amazon=0571249639}} {{waterstonestext|waterstones=7101008}}

{{commenthead}}

[[Category:Teens]]

← Older revision		Revision as of 21:11, 24 November 2010
Line 34:		Line 34:

	I've just reviewed [[No and Me by Delphine de Vigan]], which I think would also appeal. [[Apples by Richard Milward]] is a much more extreme book, but I think it might appeal. You shouldn't miss [[The Great Harlequin Grim by Gareth Thompson]] or [[Jackdaw Summer by David Almond]] either. Oh, and don't forget [[Joe Speedboat by Tommy Wieringa]].		I've just reviewed [[No and Me by Delphine de Vigan]], which I think would also appeal. [[Apples by Richard Milward]] is a much more extreme book, but I think it might appeal. You shouldn't miss [[The Great Harlequin Grim by Gareth Thompson]] or [[Jackdaw Summer by David Almond]] either. Oh, and don't forget [[Joe Speedboat by Tommy Wieringa]].
		+
		+	{{toptentext\|list=Bookbag's Christmas Gift Recommendations 2010}}

	{{amazontext\|amazon=0571249639}} {{waterstonestext\|waterstones=7101008}}		{{amazontext\|amazon=0571249639}} {{waterstonestext\|waterstones=7101008}}

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-{{infobox
+{{infobox1
 |title=Luke and Jon
 |author=Robert Williams
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 |date=March 2010
 |isbn=0571249639
-|amazonuk=<amazonuk>0571249639</amazonuk>
+|cover=Williams_Luke
-|amazonus=<amazonus>0571249639</amazonus>
+|aznuk=0571249639
 }}

@@ Line 8: / Line 8: @@
 |buy=Yes
 |borrow=Yes
 |pages=192
 |publisher=Faber
@@ Line 39: / Line 36: @@
 {{toptentext|list=Bookbag's Christmas Gift Recommendations 2010}}
-{{amazontext|amazon=0571249639}} {{waterstonestext|waterstones=7101008}}
+{{amazontext|amazon=0571249639}}
 {{commenthead}}
 [[Category:Teens]]

@@ Line 33: / Line 33: @@
 My thanks to the good people at Faber for sending the book.
-I've just reviewed [[No and Me by Delphine de Vigan]], which I think would also appeal. [[Apples by Richard Milward]] is a much more extreme book, but I think it might appeal. You shouldn't miss [[The Great Harlequin Grim by Gareth Thompson]] or [[Jackdaw Summer by David Almond]] either.
+I've just reviewed [[No and Me by Delphine de Vigan]], which I think would also appeal. [[Apples by Richard Milward]] is a much more extreme book, but I think it might appeal. You shouldn't miss [[The Great Harlequin Grim by Gareth Thompson]] or [[Jackdaw Summer by David Almond]] either. Oh, and don't forget [[Joe Speedboat by Tommy Wieringa]].
 {{amazontext|amazon=0571249639}} {{waterstonestext|waterstones=7101008}}

@@ Line 30: / Line 30: @@
 I read the last page of ''Luke and Jon'' with a real sense of regret that it was all over.
-It's only February and I've read some wonderful books in 2010 already, but this is my favourite book of the year so far, and by a country mile too.
+It's only February and I've read some wonderful books in 2010 already, but this is my favourite book of the year so far, and by a country mile too. More, please, Mr Williams, and soon.
 My thanks to the good people at Faber for sending the book.

@@ Line 26: / Line 26: @@
 There are moments of startling clarity in this book that splinter your heart - ''I will tell the truth... There were no pieces to pick up... I should have just let them beat me up...'' - but it's never dour or grim. In fact, while some of Williams's words do hurt immensely, the overall feel has a real lightness of touch. In all art, I love the things that are outwardly delicate and beautiful and fragile, but inwardly full to brimming of powerful emotions and themes - pain, grief, anger, bullying, friendship, love, and loss, and this book is a wonderful example. It's quirky but not saccharine, painful but not hopeless, difficult but not hard.
-Your heart bleeds for both boys right from the beginning, but Williams allows Luke his rose-tinted memories at first and so your sympathy is very much of the surface, isn't-it-awful-poor-lamb, variety. Gradually, though, as the bigger picture is revealed and we see the warts-and-all life that Luke loved and - with the death of his mother - lost, the superficiality disappears and it's not sympathy you feel, it's empathy. It's all so very real. But the world continues to turn, life goes on, and Jon arrives as the type of waif and stray Luke's mother would have welcomed, and becomes the catalyst for healing. I read the last page of ''Luke and Jon'' with a real sense of regret that it was all over.
+Your heart bleeds for both boys right from the beginning, but Williams allows Luke his rose-tinted memories at first and so your sympathy is very much of the surface, isn't-it-awful-poor-lamb, variety. Gradually, though, as the bigger picture is revealed and we see the warts-and-all life that Luke loved and - with the death of his mother - lost, the superficiality disappears and it's not sympathy you feel, it's empathy. It's all so very real. But the world continues to turn, life goes on, and Jon arrives as the type of waif and stray Luke's mother would have welcomed, and becomes the catalyst for healing.
 It's only February and I've read some wonderful books in 2010 already, but this is my favourite book of the year so far, and by a country mile too.