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	<title>Category:Robert Crompton - Revision history</title>
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	<updated>2026-06-03T02:19:06Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=Category:Robert_Crompton&amp;diff=90045&amp;oldid=prev</id>
		<title>Sue at 07:47, 20 May 2015</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=Category:Robert_Crompton&amp;diff=90045&amp;oldid=prev"/>
		<updated>2015-05-20T07:47:32Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #222; text-align: center;&quot;&gt;Revision as of 07:47, 20 May 2015&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Line 1:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Authors|Crompton, Robert]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Authors|Crompton, Robert]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[image:Rob_Crompton|left]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[image:Rob_Crompton&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;.jpg&lt;/ins&gt;|left]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I began my journey in a land where there were paraffin lamps and steam trains and a lovely big forest. There I discovered the books of Mary Webb and Winifred Holtby and Robert Neill which were much more exciting than the books and tracts of the mind-numbing religion I&amp;#039;d been brought up in. I decided that one day I would write that sort of book myself.&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt; &lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #222; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;I began my journey in a land where there were paraffin lamps and steam trains and a lovely big forest. There I discovered the books of Mary Webb and Winifred Holtby and Robert Neill which were much more exciting than the books and tracts of the mind-numbing religion I&amp;#039;d been brought up in. I decided that one day I would write that sort of book myself.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
	<entry>
		<id>http://www.thebookbag.co.uk/w/index.php?title=Category:Robert_Crompton&amp;diff=90044&amp;oldid=prev</id>
		<title>Sue: Created page with &quot;Crompton, Robert  left  I began my journey in a land where there were paraffin lamps and steam trains and a lovely big forest. Ther...&quot;</title>
		<link rel="alternate" type="text/html" href="http://www.thebookbag.co.uk/w/index.php?title=Category:Robert_Crompton&amp;diff=90044&amp;oldid=prev"/>
		<updated>2015-05-20T07:47:06Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&lt;a href=&quot;/reviews/Category:Authors&quot; title=&quot;Category:Authors&quot;&gt;Crompton, Robert&lt;/a&gt;  &lt;a href=&quot;/w/index.php?title=File:Rob_Crompton&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;File:Rob Crompton (page does not exist)&quot;&gt;left&lt;/a&gt;  I began my journey in a land where there were paraffin lamps and steam trains and a lovely big forest. Ther...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New review&lt;/b&gt;&lt;/p&gt;&lt;div&gt;[[Category:Authors|Crompton, Robert]]&lt;br /&gt;
&lt;br /&gt;
[[image:Rob_Crompton|left]]&lt;br /&gt;
&lt;br /&gt;
I began my journey in a land where there were paraffin lamps and steam trains and a lovely big forest. There I discovered the books of Mary Webb and Winifred Holtby and Robert Neill which were much more exciting than the books and tracts of the mind-numbing religion I&amp;#039;d been brought up in. I decided that one day I would write that sort of book myself.&lt;br /&gt;
&lt;br /&gt;
Before I could be a real writer, however, I had to become a scientist or an engineer or a teacher or something like that (my Dad said). My scientific career, however, reached no further than the stage of pretty crap laboratory technician, but the bonus I picked up from those years was a love for the books of writers like Stan Barstow and Colin Wilson.&lt;br /&gt;
&lt;br /&gt;
Then I went, as a late entrant, to Lancaster University to read philosophy and linguistics. I loved every minute but it only lasted three years. I was thrown back into a world where steam trains and paraffin lamps had become extinct – but the forest was still there. I got a job as a local government officer, read Kurt Vonnegut and Richard Adams. and wrote a brilliant short novel which, unaccountably, nobody else seemed to rave about very much. I&amp;#039;ve still got it somewhere.&lt;br /&gt;
&lt;br /&gt;
Then I had a really crazy idea. I could be a parson. Not in the we&amp;#039;ll-do-all-your-thinking-for-you sort of religion of my childhood and youth, but in a church which allowed a bit of breadth. Well, quite a lot, actually. The Methodist church. They seemed to think I&amp;#039;d be okay so they sent me off to Cambridge to read biblical studies for three wonderful years before dropping me into a church in County Durham. I didn&amp;#039;t read very many novels up there but I did register as a part-time post-graduate researcher and began the work which eventually led to my break-through into the world of the published author with &amp;#039;&amp;#039;Counting the Days to Armageddon&amp;#039;&amp;#039;, a history of the religion I&amp;#039;d been brought up in.&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;Counting&amp;#039;&amp;#039; was published as an academic monograph with a corresponding price tag, but it earned me a bit of respectability and a foot in the door of the academic establishment which side-tracked me for a while from my career as a novelist. After our stint in the north east we moved a little closer to the forest, but it wasn&amp;#039;t to last and we bounced around South Wales for nearly twenty years.&lt;br /&gt;
&lt;br /&gt;
Then a funny thing happened. I noticed that whenever I revisited that land of paraffin lamps and steam trains and the forest, there were always stories hovering in the air. And characters who needed someone to tell their stories. So I set to work. First it was Peter Bunderlin&amp;#039;s story set against the back-drop of Winter Hill. (He loves the trains but don&amp;#039;t let him anywhere near a paraffin lamp – he&amp;#039;s such a clumsy great oaf, he&amp;#039;ll burn the place down.) And then the story of Susan Ridley who, in &amp;#039;&amp;#039;Leaving Gilead&amp;#039;&amp;#039;, was helped on her way to freedom by a character based upon a wonderful old woman of the forest who was loved by kids of my mother&amp;#039;s generation.&lt;br /&gt;
&lt;br /&gt;
We&amp;#039;re now in Herefordshire and I&amp;#039;m still kicking through the leaves of the forest at every opportunity as I tune in to the story which Judy Whitaker is trying to piece together, of Solomon, her distant grandfather and one of the shadowy workers who drained the ancient peat-bogs which are now being restored to the forest.&lt;/div&gt;</summary>
		<author><name>Sue</name></author>
		
	</entry>
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