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I guess the best children's literature can do away with complete veracity, as long as it has something about it that is recognisable – a little of the spirit, heart and character of the real thing, whatever it may be. And if that's the case then it definitely applies to children's literature illustrations, such as those provided close on two hundred times by [[:Category:Michael Foreman|Michael Foreman]]. This prolific artist leapt at a scholarship in the US when he'd completed his official, formal studies, and it would appear – huge credits list regardless – that he's never stopped moving since, as this book takes us to all corners of the world, and back home again.