Changes

This volume shows us the room on almost every page, a static, rigid view of what I've described, as a frame for everything else. And that is a big 'everything', when this is a cry for faith and hope, the cardinal virtue in finding power in potential, the possibilities of dreams and fantasy and in words. It shows the moral in a quite exquisite way, unfolding from the unlikely a supreme fable that just goes about its business without being too obvious, too twee, too patronising or too well-intended.

Everything combines into a very praiseworthy book - the moral; the classical, timeless, 'why did nobody put it like that before' charm of the fable; the gently twisting narrative concerning the tiger and Faith; and the fresh yet traditional illustrations. It's such a pity then that economies of publishing, and I suspect someone's idea that adults can't handle coloured books, means this is in drab black and white. As a result , it looks cheap for a children's book, and almost dismissible for other audiences. The truth is, this is a volume with a vivid glow to it that has been diminished by its presentation, when it should have shone brightly from countless bookshelves, tended to by all ages. If only someone had thought otherwise; if only someone had seen the potential.

For similar books that stretch fully between those you can share with your child and adult-friendly material, try [[:Category:Shaun Tan|Shaun Tan]], and books he worked on such as [[The Viewer by Gary Crew and Shaun Tan|The Viewer]]. We've also enjoyed [[A Letter for Bear by David Lucas]].