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{{infoboxinfobox1
|title=No Man's Land: Writings From A World At War
|author=Pete Ayrton (editor)
|publisher=Serpent's Tail
|date=January 2014
|amazonuk=<amazonuk>1846689252</amazonuk>
|amazonus=<amazonus>1846689252</amazonus>
|website=http://serpentstail.com
|video=
|summary=A timely collection of short pieces of fiction, taken from both sides of the Great War, and from all around the world – although with a bias towards the Western Front's trenches. Featuring established and lesser-known names, and nothing published after 1945, this is a multi-faceted portrayal of a world tearing itself apart; and without the taint of hindsight, it's all very much in the moment.
|cover=1846689252
|aznuk=1846689252
|aznus=1846689252
}}
July 2014 marks the centenary of the outbreak of the Great War: a war that has become imprinted on the national consciousness of Britain (and plenty of modern nation-states), partly because of the large numbers of people (mostly men) writing about it. I don't mean journalists, who had been covering wars for the Victorian public, but artists: poets, authors, memoirists and painters. The poets especially have stamped World War One on collective memory, through countless poetry anthologies, recitals at memorials, and in school classrooms.
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