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[[Category:New Reviews|Short Stories]]
[[Category:Short Stories|*]] __NOTOC__<!-- Remove -->
{{newreview
|author=Martin Edwards (editor)
|title= Miraculous Mysteries (British Library Crime Classics)
|rating= 5
|genre= Crime
|summary=Consider the following scenario: a policeman hears someone screaming and runs to a house on a particular street, number 13, from where the noise is emanating. When he peeps through the letterbox he discovers a dead man in the hallway with a knife in his throat. He goes to fetch help, but upon returning, finds that the street does not have a number 13 and that the body and the room he saw have both mysteriously vanished...
|amazonuk=<amazonuk>0712356738</amazonuk>
}}
{{newreview
|author= Michael R Lane
|summary= Sophie Hannah's The Visitors Book is a short anthology of modern stories with a supernatural twist. There is not a hammy gothic turret in sight as her characters experience their mundane, day-to-day, 21st century business -- a children's birthday party, a visit to a boyfriend, neck pain, the school run. Now, ghost stories based on ordinary people leading ordinary lives can be very unsettling indeed, making overly imaginative readers look over their shoulder at the bus stop, or giving them goosebumps for no apparent reason. So I was curious to see what Sophie Hannah, a writer I much admire, would make of this particular material.
|amazonuk=<amazonuk>1908745525</amazonuk>
}}
{{newreview
|author=Marina Warner
|title=Fly Away Home
|rating=3
|genre=Short Stories
|summary=How would you subvert a fairy tale? You know enough of them and enough about them to do it, so think on it. Would you give a mermaid a smartphone? Would you pepper them with pop stars, and perhaps let them be witness to the Schadenfreude caused by a cave that's sacred to native Canadians? Would you, in the light of their characters usually being routine, interchangeable tropes, give them a closely-observed personality – as seen here in a teacher's interior thoughts when faced with a piece of East Anglian lore? Would you take the exoticism of the east, and Egypt in particular, and see it in the light of a musical teacher on a zero-hours contract who ends up muttering to himself, directing traffic in the middle of the road, or from the remove of an elderly man with ''swollen feet in orthopaedic sandals'' with a message from the past? Certainly these two are not the standard Arabian Nights-styled pieces…
|amazonuk=<amazonuk>1784630381</amazonuk>
}}