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[[Category:Literary Fiction|*]]
[[Category:New Reviews|Literary Fiction]]__NOTOC__ <!-- Remove -->
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*[[image:Clements_Coffin.jpg|left|link=https://www.amazon.co.uk/gp/product/1472204271?ie=UTF8&tag=thebookbag-21&linkCode=as2&camp=1634&creative=6738&creativeASIN=1472204271]]
 
===[[The Coffin Path by Katherine Clements]]===
 
[[image:4.5star.jpg|link=Category:{{{rating}}} Star Reviews]] [[:Category:Literary Fiction|Literary Fiction]], [[:Category:Horror|Horror]], [[:Category:Historical Fiction|Historical Fiction]]
 
Maybe you've heard about Scarcross Hall? Hidden on the old coffin path that winds from the village to the moor top, the villagers only speak of it in hushed tones - of how it's a foreboding place filled with evil. Mercy Booth has lived there since birth, and she's always loved the grand house and its isolation, but a recurrence of strange events begins to unsettle her. From objects disappearing through to a shadowy presence sensed in the house, mysteries come to light that can only be solved by Mercy unearthing long-buried secrets. And will a dark stranger help Mercy protect everything she has come to love or tear it from her grasp? [[The Coffin Path by Katherine Clements|Full Review]]
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*[[image:Durrenmatt_Justice.jpg|left|link=https://www.amazon.co.uk/gp/product/1782273875?ie=UTF8&tag=thebookbag-21&linkCode=as2&camp=1634&creative=6738&creativeASIN=1782273875]]
|summary= I always hated Lit-Crit at school, so it came as something as a surprise that I ended up reviewing books, for fun. Now I understand. Finally, I see why literary critics get so up-in-arms about lowly book reviewers. There is a difference. This book explains it all. The author is ''the first woman to win the International Prize for Arabic fiction'' for this book. The book also the LiBerator prize for ''the best book translated into German'' in 2014. I suspect it's not done yet. ''The Times'' tells us that it ''exemplifies everything that is currently shaking the foundations of Arab society.'' I am sure that not only will more plaudits fall upon the author and the book, but also that it will become a classic, spoken of in the same breath as the international classics: Proust, Márquez, Joyce, Rushdie, Nabokov…
|amazonuk=<amazonuk>0715651757</amazonuk>
}}
{{newreview
|author=Daniel Kehlmann and Ross Benjamin (translator)
|title=You Should Have Left
|rating=4.5
|genre=General Fiction
|summary=Our narrator is a screenwriter, tasked with coming up with a sequel to his hit movie ''Besties'' – a film which helped pay for a house, but which his actress wife keeps letting him know, isn't ''art''. To concentrate, the family – he, the wife, and their four year old daughter – have rented a large, modern house at the end of a horrid, hairpin bend-filled road, in a charming alpine landscape. But things aren't right. The couple are at loggerheads too much, things keep unsettling our narrator, and the sole shopkeeper for miles around is ready with the Hammer Horror styled warnings of strange events. Quickly we see the book's title in all its galling clarity – but it isn't too late to get out… is it? And out of what, exactly?
|amazonuk=<amazonuk>1786484048</amazonuk>
}}