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[[Category:Literary Fiction|*]]
[[Category:New Reviews|Literary Fiction]]__NOTOC__
{{Frontpage
|author=Matthew Tree
|title=We'll Never Know
|rating=4.5
|genre=Literary Fiction
|summary= Timothy Wyndham wants nothing more than to be different from his father, a drunk and chronic underachiever whose dreams of being exceptional at any of his artistic passions all failed miserably and who had endless crises of self confidence. So Tim applied himself to his studies, cultivated his abilities rather than his daydreams and set himself high but achievable ambitions.
|isbn= B0CVFXPGP8
}}
{{Frontpage
|isbn=B0C47LV1PC
|title=Fragility
|author=Mosby Woods
|rating=4
|genre=Literary Fiction
|summary= Can you make a ''Yo birthing person'' joke? And if you could, is the question should you make it? Or is the question if you did, would it land? The catch is that the answer for both could well be.... no.
''Fragility'' is set as the city of Portland, Oregon, cautiously begins to emerge from the restrictions imposed during the covid pandemic
}}
{{Frontpage
|author=Mosby Woods
|title=A Whirly Man Loses His Turn
|rating=4
|genre=Literary Fiction
|summary= The West isn't the dominant force it once was. Nobody in the West is quite sure how to mend this or even if mending it is the best course of action. Governments are flailing. A war here, a push for climate action there. A feeling that nobody is in actual charge. Imagine then, there was a man with precognition. Imagine the strategic advantage in this asset; a man who can tell you what will happen given any set of circumstances. That man would be valuable, right? Perhaps the most valuable asset in history. Imagine then, that this man loses this ability. What would governments do to get it back?
|isbn=B0C9SNG8R1
}}
{{Frontpage
|isbn=0571379559
|title=The House of Broken Bricks
|author=Fiona Williams
|rating=5
|genre=Literary Fiction
|summary=''The House of Broken Bricks'' is the story of four people. Tess Hembry's roots are in Jamaica: temperamentally she might be happier there, but instead, she lives in the house on the riverbank, built of broken bricks. Insubstantial as it might look, it's stood the passage of time, storms and floods. Her husband, Richard, struggles to grow his vegetables, to complete the delivery rounds - and to bring in sufficient money. They have twin boys - Sonny and Max, the rainbow twins. Sonny's colouring reflects his mother's Jamaican heritage. Max takes after his father. People don't believe that they're related, much less twins and there's an assumption when Max is out with his mother that she's his nanny.
}}
{{Frontpage
|author=Claire North
|title=House of Odysseus
|rating=5
|genre= Literary Fiction
|summary= ''What could matter more than love?''
The follow-up to the excellent ''Ithaca'' picks up a few months after where we left off. In the palace of Odysseus, with delicate care Queen Penelope continues to rule without her husband, who sailed to war at Troy and then by divine intervention never returned home. As ever she remains surrounded by suitors vying for the throne of the Western Isles. Having survived – politically and physical – the chaotic storm that Clytemnestra brought to Ithaca's shores, Queen Penelope is on the brink of a fragile peace. One that shatters however with the return of Orestes, King of Mycenae, and his sister Elektra, seeking refuge.
|isbn=0356516075
}}
{{Frontpage
|author= Kay Chronister
|title= Desert Creatures
|rating= 4
|genre= Dystopian Fiction
|summary= With a world that is becoming increasingly inhospitable for humanity, post-apocalyptic fiction can become an almost masochistic thrill. Whether it is a robotic takeover, a world devoid of water or a nuclear holocaust, this genre is a way for humans to cathartically experience their most existential fears. ''Desert Creatures'' by Kay Chronister is a new work of post-apocalyptic fiction that aligns many of the fears that exist for humanity today. It is a shocking novel that still manages to find hope.
|isbn=1803364998
}}
{{frontpage
|isbn=1803363002
|author= Eric LaRocca
|title= The Trees Grew Because I Bled There
|rating= 5
|genre= Horror
|summary= Horror taps into something primeval within us. It is used as a way to reflect our darkest emotions and how we as humans react and process them. Most horror fiction feature a ''Big Bad'', whether that is a home invader, a monster or a ghost, it usually something tangible and, by the end of the story, beatable. Eric LaRocca's ''The Trees Grew Because I Bled There'' is not like that. It is a collection of short stories more interested in the horrors of illness, grief and humiliation. Horrors that linger and are harder to defeat than any ''Big Bad''.
}}
{{Frontpage
|author=Madelaine Lucas
|title=Thirst for Salt
|rating=5
|genre=Literary Fiction
|summary= ''Love, I'd read, was supposed to be a light and weightless feeling, but I had always longed for gravity''
Told from a retrospective view, a young woman unravels the year-long relationship that once defined her. Overlaid with later wisdom, the narrator relives the affair with a man twenty years her senior from its inception – the summer after finishing university – to its sorrowful end the summer after. Set against the backdrop of an isolated Australian coastal town ''Thirst for Salt'' details the 24-year-old narrator's deepening relationship with her older lover, depicting its all-consuming nature, how it changed her perspective on both romantic and familial relationships and how it altered her irrevocably.
|isbn=0861546490
}}
{{Frontpage
|author= Michael Grothaus
|title=Beautiful Shining People
|rating=4
|genre= Literary Fiction
|summary= ''But fearing something and having it come to pass are two different things. And I'm willing to bet most of what we fear will never happen, or we can take steps to change it.''
''Beautiful Shining People'' revolves around the question of identity and acceptance. Of what it means to be human. Of what is real and what is artificial, and whether the development of technology is exciting or frightening.
|isbn=191458564X
}}
{{Frontpage
|author=Jennifer Saint
|title=Atalanta
|rating=5
|genre=Literary Fiction
|summary=''I was as worthy as any one of them. I would get on board that ship, I vowed. I would take my place, not just in the name of the goddess. It was for the sake of my name, too. Atalanta''
Princess. Warrior. Lover. Hero.
Abandoned at birth for being born a daughter rather than a son, Atalanta is raised under the protective eye of the goddess Athemis and fashioned into a formidable huntress, one who longs for adventure. When the opportunity comes – to join the Argonauts, a fierce band of warriors, descendent from the Gods themselves – Atalanta seizes the chance to fight in Artemis' name and carve out her own legendary place in history. What follows is a whirlwind of challenges and discovery and through it, Atalanta must remember Artemis' fatal warning: that if she marries, it will be her undoing.
|isbn=1472292154
}}
{{Frontpage
|author=Amanthi Harris
|genre=Literary Fiction
|summary=The problem began just after the publication of George March's most successful novel to date. Everyone but Mrs March (we know her first name only on the last page) seemed to either be reading it or had already done so. Every day Mrs March went to the local patisserie to buy olive bread but on that particular morning, Patricia asked, as she was wrapping the bread, ''but isn't this the first time he's based a character on you?'' She mentioned that Johanna, the principal character had 'her mannerisms''. Perhaps this would not have mattered, except for the fact that Johanna is the whore of Nantes - ''a weak, plain, detestable, pathetic, unloved, unloveable wretch.''
}}
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