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[[Category:Humour|*]]
[[Category:New Reviews|Humour]] __NOTOC__ <!-- Remove -->
{{newreview
|author= Mara Wilson
|title= Where Am I Now?: True Stories of Girlhood and Accidental Fame
|rating= 5
|genre= Autobiography
|summary= Mara Wilson has always felt a little young and a little out of place: as the only child on a film set full of adults, the first daughter in a house full of boys, the sole clinically depressed member of a cheerleading squad, a valley girl in New York and a neurotic in California, and an adult the world still remembers as a little girl. Tackling everything from how she first learned about sex on the set of ''Melrose Place,'' to losing her mother at a young age, to getting her first kiss (or was it kisses?) on a celebrity canoe trip, to not being cute enough to make it in Hollywood, these essays tell the story of one young woman's journey from accidental fame to relative obscurity, but also illuminate a universal struggle: learning to accept yourself, and figuring out who you are and where you belong.
|amazonuk=<amazonuk>0143128221</amazonuk>
}}
{{newreview
|author= Tony Stewart
|summary=I read a couple of Jack Sheffield’s books about five years ago, and enjoyed them very much. They were written in a similar style to those popularised by, for instance, James Herriot or [[:Category:Gervase Phinn|Gervase Phinn]], told mostly in the first person, describing the author’s first couple of years as Headmaster at a small village primary school in Yorkshire. The village of Ragley is fictional, as are most of the characters, but the incidents and situations encountered are based on the author’s experience.
|amazonuk=<amazonuk>0552167045</amazonuk>
}}
{{newreview
|author=J Robert Lennon
|title=See You In Paradise
|rating=3
|genre=Short Stories
|summary=Lennon writes with a relaxed, easy style and his characters are instantly recognisable as people from everyday walks of life, without being in any way stereotypical. Many of the people in these stories are dealing with normal frustrations, and Lennon is cleverly detached enough not to make them individuals that you're obviously supposed to root for (the only exception is the industrialist in the eponymous tale, who is an archetypal capitalist fat cat). There are some very clever characterisations – in ''Weber’s Head'', for example, the narrator is a flawed individual whose opinions of his housemate are gradually revealed to be unreliable and unfair. For me, the most unsettling story is ''No Life'', because it portrays a decent couple at the mercy of people more powerful and influential than them. There is no supernatural or bizarre element at work here, just ordinary characters at the mercy of social power.
|amazonuk=<amazonuk>1781253358</amazonuk>
}}

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