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[[Category:Crime (Historical)|*]]
[[Category:New Reviews|Crime (Historical)]] __NOTOC__ <!-- Remove -->
{{newreview
|author=Laura Wilson
|title=The Riot
|rating=3.5
|genre=Crime
|summary=DI Stratton has moved to a new posting and Notting Hill is fresh territory to him, but he’s going to have to get to know it fast when a rent collector is stabbed. There’s a sense of loss from the people who knew the man - he was inclined to help if he could and with landlords wanting to oust rent-controlled tenants so that they could put ‘coloured’ people or prostitutes in their place (higher rents, you see) any help was welcome. Added to this there are increasing numbers of street fights involving teddy boys. It’s 1958 - and there’s a heatwave.
|amazonuk=<amazonuk>1782063080</amazonuk>
}}
 
{{newreview
|author=James Scott
|summary=It’s hard to explain why Andrew Taylor’s novels are so chilling. They’re ghost stories that often lack ghosts, crime novels in which the crime itself feels at a remove from the rest of the action. But that’s really the secret of their power: while in most thrillers, the bogeyman is a single entity, easy to pinpoint and therefore easy to excise from the rest of the healthy fictional world, things are never so simple in the universes Taylor creates. What is frightening in an Andrew Taylor novel? Everything.
|amazonuk=<amazonuk>0007213514</amazonuk>
}}
 
{{newreview
|author=George Mann (Editor)
|title=Encounters of Sherlock Holmes
|rating=4.5
|genre=Crime (Historical)
|summary=
Sherlock Holmes remains an enduring icon of English literature; perhaps as popular today as he was back in the late 1800s, maybe even more so with the advent of TV and film adaptations of his adventures. Indeed, such is the lasting appeal of the character that since the death of Conan Doyle there have been literally hundreds of works published, picking up where the original stories left off.
|amazonuk=<amazonuk>1781160031</amazonuk>
}}