Difference between revisions of "Newest Art Reviews"
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| + | |author=Paula Briggs | ||
| + | |title=Drawing Projects for Children | ||
| + | |rating=5 | ||
| + | |genre=Crafts | ||
| + | |summary=''Drawing Projects for Children'' is a beautiful, full-colour guide that encourages children to use a range of materials to create stunning and thought-provoking artwork. As the author points out, the end result is not always as important as the journey and this book helps children to move away from the more traditional, or 'safe' type of drawing styles and indulge in a little more experimentation and risk taking. The book is ideal for parents to use with their children, but each chapter is a self-contained lesson plan that facilitators and teachers can use with groups. | ||
| + | |amazonuk=<amazonuk>1908966742</amazonuk> | ||
| + | }} | ||
{{newreview | {{newreview | ||
|author=Anna Weltman | |author=Anna Weltman | ||
Revision as of 10:52, 16 April 2015
Drawing Projects for Children by Paula Briggs
Drawing Projects for Children is a beautiful, full-colour guide that encourages children to use a range of materials to create stunning and thought-provoking artwork. As the author points out, the end result is not always as important as the journey and this book helps children to move away from the more traditional, or 'safe' type of drawing styles and indulge in a little more experimentation and risk taking. The book is ideal for parents to use with their children, but each chapter is a self-contained lesson plan that facilitators and teachers can use with groups. Full review...
This is Not a Maths Book by Anna Weltman
I have to admit, I wasn't a huge fan of maths at school. Maybe if I'd had this book when I was a child, I would have been. 'This is not a Maths Book' cleverly bridges the gap between maths and art and teaches kids how to make beautiful patterns and shapes by using mathematical principles. We learn about parabolic curves, Pascal's triangle, the stomachion, tesselation and 3D drawings. Because the pages are interactive and hands-on, kids are learning the rules of maths without realising it. After all, there is no reason why maths shouldn't be fun! Full review...
Alexander McQueen: Blood Beneath the Skin by Andrew Wilson
On the face of it Lee McQueen might not have seemed like the ideal candidate for greatness in the world of haute couture. He was the youngest son of an East London taxi driver, but there was history in the rag trade within the family, although his father told him that if he wanted to sell clothes he should get a market stall. Determined to do it his way, Lee borrowed the money from a relative to enable him to attend Central St Martins after doing a tailoring apprenticeship. The name 'Lee' might confuse you, but at the time McQueen began his own business he was claiming benefits and decided to use his middle name to avoid detection. Full review...
Tell me a Picture - Adventures in Looking at Art by Quentin Blake
When did you last read a children's book that absolutely flummoxed you in the way it showed or told you something you didn't know? (And please be an adult when you answer that, or else it won't be quite so impressive.) Back in 2001, Quentin Blake wasn't a Knight yet – he hadn't even got his CBE – but he did get allowed to put on his own show at the National Gallery, with other people's pictures that contain oddities, stories, unexpected detail – sparks on canvas and paper that would inspire anyone looking, of whatever age, to piece things together, work things out, form a narrative. The pictures came with no major labelling, no context – just what they held, and some typically scratched Blake characters discussing the images as a lead-in. They were simply hung in alphabetical order, and probably could not have been more different. This then is a picture book of the most literal kind, with 26 stories. Full review...
The Lost Carving: A Journey to the Heart of Making by David Esterly
Bouncing between his studio in upstate New York and the sites of various English sojourns, woodcarver David Esterly's seems to be an idyllic existence. Yet it's not all cosy cottages in the snow and watching geese and coyotes when he looks up from his workbench. There is an element of hard-won retreat from the trials of life in this memoir, but at the same time there is an argument for the essential difficulty of the artist's life. 'Carvers are starvers,' a wizened English carver once told him. Certainly there is no great fortune to be won from a profession as obscure as limewood carving, but the rewards outweigh the hard graft for Esterly. Full review...
A Work of Beauty: Alexander McCall Smith's Edinburgh by Alexander McCall Smith
It might be simplest if I begin by telling you what this book is not. It's not a book of beautiful photographs (with some supporting text) of the places you'll almost certainly want to visit if you're visiting Edinburgh as a tourist. If that's what you want then there are dozens of such books available all over the city at a fraction of the cost of A Work of Beauty. This might have the look of a coffee table book (and it would certainly look impressive there) but it has a lot more depth and interest than you might expect. This is a book of Alexander McCall Smith's Edinburgh, the city he walks around every day, constantly seeing something new, something else with a story to tell. Full review...
Beautiful Patterns by Various Authors
If you are going to make a colouring book aimed at adults I say do it 100% and go all out. You can keep your minimalist landscapes or your naïve animals; give me a page packed to the gills with something that needs filling in. This can make a creative colouring book for grownups feel more like a military operation, but at least you will have fun doing it and improve your skills. Full review...
Summers of Discontent by Raymond Tallis and Julian Spalding
Raymond Tallis is what some people may refer to as a Renaissance Man. He is a doctor (specifically, a neurologist), a philosopher, a poet and a cultural critic. Summers of Discontent: The Purpose of the Arts Today is a collection of excerpts from Tallis’s numerous other works, extracted and collated by Julian Spalding – curator and Tallis’ contemporary. It’s a testament to the free-flowing, all-encompassing way in which Tallis writes that these excerpts sit next to each other seamlessly; they feel like one complete discussion, which is an achievement in itself. Full review...
In the Country by David Gentleman
I had no intention of reading In The Country. I opened it simply to see what it was like, but by the time that I shut it again I was nearly halfway through and I had no intention of giving the book to anyone else. Now in his eighties David Gentleman is well known as watercolourist, specialising in landscapes. He's based in London but also has a home in Suffolk in the village of Huntingfield and it's this house, the village and the surrounding area which is the location for In The Country. Full review...
Strictly Shale: Circling British Speedway by Jeff Scott and Rachael Adams
When I was young I remember Speedway being a regular item on Saturday sport programmes on television. My father was an aficionado and loved the noise, the risk and the sheer energy of the sport - my mother less so and she quoted the noise and the strong possibility of there being 'a nasty accident' when the riders slid their motorcycles sideways. It is still on television but I'll confess to not having watched for many years and it was for this reason that Jeff Scott's Strictly Shale achieved the unusual feat of both being an eye opener and bringing back long-forgotten memories. Full review...
Winter by Adam Gopnik
In this collection of five essays, each one offering a unique and fascinating perspective on the season of winter, Adam Gopnik takes the reader on a captivating journey, exploring history, art and society, through Romantic Winter, Radical Winter, Recuperative Winter, Recreational Winter and Remembering Winter. In each essay, Gopnik focuses on one or two central themes, whilst also touching on surrounding ideas. For example, in Romantic Winter his central topics are art and poetry, however, issues such as changing society, technology, sex and culture are also explored, in relation to these pivotal notions. He also includes two sections featuring collections of artwork to illustrate his viewpoints, which add a charming, individual touch to this book. Full review...
The First Bohemians: Life and Art in London's Golden Age by Vic Gatrell
It was in the eighteenth century that an area of London consisting of about half a square mile, from Soho and Leicester Square across Covent Garden’s Piazza to Drury Lane, and down from Long Acre to the Strand, with Covent Garden at the very centre, became what has in modern times been recognised as the world’s first creative ‘bohemia’. This was where the cream of Britain’s significant artists, actors, poets, novelists, and dramatists of the age lived and worked, side by side with the city’s chief market traders, craftsmen, shopkeepers, rakes, pickpockets and prostitutes. One might say that all human life was here. Full review...
Sea Monsters: The Lore and Legacy of Olaus Magnus's Marine Map by Joseph Nigg
A confession. When reading hardbacks I take the paper cover, if there is one, off, to keep it pristine. Sometimes there's a second benefit, with Longbourn by Jo Baker as an example of having an embossed illustration underneath, or suchlike. But with this book I won't be alone, for the cover folds out into an amazing artwork, such as has only two extant original copies. It's a coloured replica of a large map of the northern seas and Scandinavia, dating from 1539, and is in a category of three major artful scientific papers from where the whole 'here be dragons' cliché about maps comes from. Its creator, Olaus Magnus, followed it up years later with a commentary of all the sea creatures he drew on it, but Magnus has waited centuries for this delicious volume to commentate on both together, in such a lovely fashion. Full review...
Judith Kerr's Creatures: A Celebration of the Life and Work of Judith Kerr by Judith Kerr
In children's literature there are some authors whom you know are not just reliable, but always impressive. One of those names is Judith Kerr. For decades she's been delighting our children (and grandchildren) but it still came as something of a surprise to discover that she would be ninety in June 2013. To celebrate this, Harper Collins have published Creatures in which Judith tells not just her own story but that of the creatures - the characters in her books and her family - who have contributed to her inspirational life. It is, though, far more than just an autobiography with a marvellous collection of paintings, drawings and memorabilia. Full review...
Lost, Stolen or Shredded: Stories of missing works of art and literature by Rick Gekoski
Over the centuries, many works of art have disappeared and then come back, or been returned almost as if they had never been away. Others, less fortunate, were simply destroyed. A very few never really existed at all. That is the basis of this unusual and very intriguing read from rare book dealer, writer and broadcaster Rick Gekoski. Full review...
Boobadoodle by Rosy Sherry
Boobadoodle is a book of doodles. On boobs. Fifty doodles on a variety of boobs, some belonging to the author, some to her friends. Quite good friends, I imagine. Full review...
Hockney: The Biography, Volume 1, 1937-1975 by Christopher Simon Sykes
As one of the major names of British twentieth century art, David Hockney has always been a larger than life figure. Published to coincide with his 75th birthday, this is the first volume of a biography which tells his story up to 1975. Full review...
Girl in a Green Gown: The History and Mystery of the Arnolfini Portrait by Carola Hicks
The Arnolfini marriage portrait, as it is generally if perhaps inaccurately known, painted by Flemish artist Jan van Eyck, signed and dated 1434, has long been one of the most popular and enigmatic paintings of its time. Of modest size, a little less than three feet high, it is one of the oldest surviving panel pictures to be painted in oils rather than tempera. It is also regarded as the first work of art which simultaneously celebrates both middle-class comfort and monogamous marriage. Full review...
