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Trudy Heaton is going home, to a house where her roots burrow back through the centuries and to a mother she hasn't spoken to for sixteen years. Home, her refuge, Ponden Hall, where she can heal herself and try to come to terms with the traumatic loss of her husband. She needs to build bridges with her mother and convince her grieving son that his father is dead. Where better than the house full of light and shadow, that nurtured her throughout her childhood? [[The Girl at the Window by Rowan Coleman|Full Review]]
'''AUGUST 29'''
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===[[The Collective by Lindsey Whitlock]]===
[[image:3.5star.jpg|link=Category:{{{rating}}} Star Reviews]] [[:Category:Teens|Teens]]
''Illinois Territory, Collective Homesteads of America.'' It's certainly an unusual place. Some people live in sunken houses, buried into hillsides to disguise how large their property is at times of austerity, among other reasons. Others are called Foresters, for they live and work in trees – forever playing and resting in trees as children, but farming in amongst them and living between them too. These two sides hate each other – so perhaps this is less of an unusual place than at first sight. Our drama kicks off when the small area the Foresters live in is placed under compulsory purchase – the residents are given a pitiful amount to clear out, before they get manfully cleared out. It's probably the Hills that are behind this, what's more. Our hero, Elwyn, has just left the trees for the Hills, to live with an uncle and learn their ways – he's just of age to decide things for himself, and he has decided to see how the other half lives. This has, of course, opened himself up to no end of prejudicial judgement. But what's this – as soon as he reaches the Hills he sees a third way of living, in a lovely colonial-style mansion, where everything sparkles and shines with crystalline light. What does it mean that he feels destiny-bound to this even posher, newer and more hopeful life? [[The Collective by Lindsey Whitlock|Full Review]]
'''5 SEPTEMBER'''