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Revision as of 16:55, 10 December 2020
, 16:55, 10 December 2020no edit summary
|summary=This was an incredibly readable novella, but one that left me a little conflicted. We start as our hero arrives at Bucharest airport, and before we even know his gender or the nature of the person he's addressing in his second person monologue of a narration, we see him picked up by his mother's chauffeur, and carted off to do all the necessary introductions before said mother is buried the following day. The mother was a businesswoman, who clearly left northern Italy and settled in Romania with her (night-time and business) partner, and feelings of abandonment are still strong. And so we flit from current (well, this came out in the original Italian in 2007, so moderately current) Bucharest, to the lad's childhood, and see just what he has to tell her as a private farewell address.
|isbn=1939810965
}}
=='''15 APRIL'''==
{{Frontpage
|author=Lucy Holland
|title=Sistersong
|rating=5
|genre=Literary Fiction
|summary=Sistersong is part of a genre I particularly enjoy, the modern retelling of folk and fairy tales. These stories, for most of us, are a cornerstone of childhood and I relish seeing them retold with fresh eyes and a fresh perspective. If handled well these retellings give new life and new meaning to stories that are now becoming increasingly narrow and outdated, fleshing out characters, examining relationships and re-evaluating the role of women. Sistersong is a perfect example of a modern retelling done well, the plot is handled with care, keeping its archaic historical feel but allowing the characters to come to life, to feel real and human, most importantly they feel relatable in a modern world whilst still feeling appropriate for the pre-Saxon age they live in. This is a masterpiece of storytelling and I was captivated from beginning to end.
|isbn=1529039037
}}
