Changes

|summary= We are living in a time of rapid change, and we're worried about it. Dorling tells us that the latter is normal, natural and probably good for us. We are designed to worry and with the current state of what we're doing in the world , we have much to be worried about. However, over the next three-hundred-and-some pages, if you can follow the arguments, it sets out in scientific detail why either we shouldn't be as worried as we are, or in some cases that we're worrying about the wrong things. Mostly. Because mostly, things are not changing as rapidly as we think they are. In fact, the rate of change in many things is slowing down and the direction of change will in some cases go into reverse.

It's 1950s America but not as we know it. In this alternate US, there is still a Cold War with the Russians, still a concomitant arms race. And the stain of racism is just as crushing - something mixed -race Sarah and her Japanese American friend Jason are only too well aware of. As is the deeply unpleasant town deputy, Kelby. But one thing is ''very'' different. In this alternate world, there are dragons. The dragons live in an uneasy peace with humans and communication is minimal. But a few of these winged creatures do hire out their labour to human in return for gold - they are dragons, after all.

|summary= After her father gets married for the umpteenth time, Roxy Humperdinck is sent to live with her half-sister Gretel in Rexopolis, the capital city of the Kingdom of Illustria. Gretel works as a toilet cleaner for the Ministry of Soup. Why does a country like Illustria need an entire ministry dedicated to soup, you ask? Well, after Roxy finds a secret passage in her bathroom and meets a snarky young woman known only as Jones, she soon finds out why. Turns out, fairy tales are real, and the Ministry’s official job is to safeguard all knowledge of them and monitor the living fairy tales. And, when an evil queen breaks out of a maximum-security prison and threatens to reinstate her reign of terror, Roxy and Jones hold the fate of the world in their young hands…so, no pressure then!

|summary= Abi Elphinstone has said that she connects with her world -building through her characters. In an interview with [Books For Keeps] , she described visualising her characters "wearing head torches which gradually reveal the world they are seeing to her and to the reader." Just as the darkness of a mine is cut through by a spear of light so too do quarrelsome Fox and Fibber get their first glimpse of the phantasmagorical glow-in-the-dark realm of Jungle Drop when they emerge through the mouth of a Dragon on the Here and There Express. Running from the opprobrium of their demanding and selfish parents, they must address what is in their hearts to find what they seek.

|summary= We live in a post- world: post-colonialism, post-modernism, post -truth. The list goes on. There are numerous works that utilise the prefix post- in their categorisation, but perhaps none more so than Maryse Condé. In her new novel, ''The Wondrous and Tragic Life of Ivan and Ivana'', Condé writes with fervour about the scars left by colonialism on the countries to which it latched itself. Ivan and Ivana are twins born in Guadeloupe, a French overseas department. They grow up with intense and passionate feelings for each other. As they grow up and move overseas, the ravages of a post-colonial society drive them apart with tragic consequences.

|summary= The new novel by Ukamaka Olisakwe is a look at the trauma and heartache of being a woman in 1980s Nigeria. The title is ''Ogadinma Or, Everything Will Be All Right''. Ogadinma is the eponymous heroine of the story.. We are with her in every scene and it is her narrative voice that leads the story, although Olisakwe writes in the third person. This provides a sense of detachment for the reader and highlights the isolation of Ogadinma. She is exiled from her father's home and sent to Lagos where she is married to an older man named Tobe. Their marriage descends into violence and indignities and Ogadinma must utilise her resourcefulness to escape.