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[[Category:Thrillers|*]]
[[Category:New Reviews|Thrillers]]__NOTOC__<!-- INSERT NEW REVIEWS BELOW HERE-->
{{Frontpage
|isbn=0008370982
|title=Rock Paper Scissors
|author=Alice Feeney
|rating=4.5
|genre=Thrillers
|summary=Amelia Wright is forty-two and it was the staff raffle at Battersea Dogs Home that gave her a weekend away in a converted chapel in Scotland. Her husband, Adam, isn't so keen on the idea. Like Amelia, he knows that their marriage has been under strain: he's a screenwriter and he's never shy of making it clear to Amelia that he'd prefer to spend time with the novels he's hoping to adapt than with her. Amelia's annoyed that he never enquires about how her day has been - and working with the dogs, many of whom have been abused, is never easy. Still - she's won the weekend away, even if it does mean driving for eight hours in her 1978 Morris Minor Traveller with Adam beside her in the passenger seat - and then doing the same thing to come back a couple of days later.
}}
{{Frontpage
|isbn=0008421714
|genre=Thrillers
|summary=We know straight away that there's going to be a body. It's on the beach under Crayne's Cliff near the town of Clearwater and it's new year's day. To understand what happened we're going to have to go back to the previous September. Grace Goodwin has a soft Australian accent - she's lived there since her teens and now, in her mid-thirties, she's returned to her home town to live. Her husband, Graham, works in Singapore and she and her eight-year-old daughter, Matilda, might as well be in the lovely apartment she's found. Grace's best friend, Anna Robinson, is still in Clearwater and she has an eight-year-old child too. Ethan's in the class Matilda will be joining. It's perfect!
}}
{{Frontpage
|author=Eva Bjorg Aegisdottir and Victoria Cribb (translator)
|title=Girls Who Lie
|rating=3
|genre=Thrillers
|summary=You might be forgiven for thinking that all the dark corners of Iceland have featured in their noirish thrillers and crime books before now. You think, seeing on the map that we're set in Akranes, and finding it's only twenty kilometres from the capital city, that this author is clutching at the few final straws left. However just because the book aims for the usual small-town feel, it's not just in Akranes that our interests lie. Six months ago a woman failed to turn up for her date evening, and was never seen again. This left a teenaged girl not at all disappointed that she could now live permanently with the couple who had given her foster care before her mother had asked for the girl back, and a couple of delighted adopters. But it left our three detectives at a quandary – mobile phone use was at a high level until it stopped all of a sudden, in one place, the woman's car was found miles away in a second place, and now, after six months, the body has been discovered, in a third, even more remote place. Meanwhile, this narrative is interrupted by a confessional monologue from a mother who found herself with heavy post-natal depression, and very little maternal feeling in her body. Is the assumption that is so easy for the reader to make the right one?
|isbn=191319373X
}}
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