Forthcoming Publications

29 JANUARY

9 FEBRUARY

Review of Elizabeth and Ruth by Livi Michael Historical Fiction Elizabeth and Ruth is a work of historical fiction wrought from the life of the Victorian author Elizabeth Gaskell, best known for her first novel Mary Barton (1848), a radical critique of the treatment of the working class published under a pseudonym. The Ruth from Livi Michael's title appears in her novel as Pasley, a young Irish prostitute who was abandoned as a child and finds herself in Manchester's New Bailey Prison after a difficult and unjust hand at life. Set in Manchester between 1839 and 1842, the novel examines the harsh conditions endured by the Victorian working poor and interrogates the extent to which the wealthy (including Gaskell herself) were responsible for addressing these injustices. Full Review

26 FEBRUARY

Review of The Disappearing Act by Maria Stepanova and Sasha Dugdale (Translator) Literary Fiction Despite her anonymisation of place names and people, Stepanova's message in this short work of autofiction is unmistakable. A novelist named M travels from B (ostensibly Berlin) to the town of F for a literary festival she is to be a guest speaker at. Detoured by erratic train schedules and nudged by forces beyond her control, her journey slowly bends toward a traveling circus. Swept up in this series of events, M eventually offers to step in for a circus performer who has unexpectedly left the show. The train functions as a motif of transience and impermanence, while the circus embodies the reshaping of identity and a retreat into fantasy, an impulse that lies at the very heart of the novel form itself. Full Review

9 APRIL

Review of What Am I, A Deer? by Polly Barton Literary Fiction Polly Barton's debut novel is an intellectually playful yet emotionally exposed work that uses translation as both subject and governing metaphor. The narrator, newly relocated from London to Berlin, works translating video games into Japanese through the process of localisation, rewriting language until it feels comfortably familiar to a new audience. Barton treats this as a paradoxical act: arguably, in striving for universality, language is endlessly repackaged, its originality at risk of disappearing altogether. From this, the novel opens out into a wider, resonant question: to what extent do we translate ourselves in order to be understood, accepted, or loved? Full Review