Forthcoming Publications

29 JANUARY

Review of Helen of Nowhere by Makenna Goodman Literary Fiction It could be argued that the pervading theme of this book is malaise - a hard-to-place feeling that something in your life is not quite right. The protagonist, a disgraced professor on the brink of losing both his career and his relationship, embodies this feeling. However, Goodman counteracts his discomfort with a force which is seductive, radical and unnerving: Helen. The connection between Helen and the protagonist is indirect yet intimate. As the former owner of the countryside house he's considering, Helen represents a volta in his life, her past tied to his potential fresh start. The realtor who shows the protagonist around the house shares stories about Helen, and describes her as an entity that is pure consciousness, beyond form. Although she lives in an assisted living facility now, Helen has powers beyond comprehension which the reader gets the sense are not altogether innocuous. Full Review

26 FEBRUARY

Review of The Disappearing Act by Maria Stepanova and Sasha Dugdale (Translator) Literary Fiction Despite her anonymisation of place names and people, Stepanova's message in this short work of autofiction is unmistakable. A novelist named M travels from B (ostensibly Berlin) to the town of F for a literary festival she is to be a guest speaker at. Detoured by erratic train schedules and nudged by forces beyond her control, her journey slowly bends toward a traveling circus. Swept up in this series of events, M eventually offers to step in for a circus performer who has unexpectedly left the show. The train functions as a motif of transience and impermanence, while the circus embodies the reshaping of identity and a retreat into fantasy, an impulse that lies at the very heart of the novel form itself. Full Review

9 APRIL

Review of What Am I, A Deer? by Polly Barton Literary Fiction Polly Barton's debut novel is an intellectually playful yet emotionally exposed work that uses translation as both subject and governing metaphor. The narrator, newly relocated from London to Berlin, works translating video games into Japanese through the process of localisation, rewriting language until it feels comfortably familiar to a new audience. Barton treats this as a paradoxical act: arguably, in striving for universality, language is endlessly repackaged, its originality at risk of disappearing altogether. From this, the novel opens out into a wider, resonant question: to what extent do we translate ourselves in order to be understood, accepted, or loved? Full Review