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'''Read [[Forthcoming Publications|reviews of books about to be published]].
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{{Frontpage
|isbn=0861541995
|title=Wolf Pack
|author=Will Dean
|rating=4.5
|genre=Crime
|summary=The story began when Tuva Moodyson drove her Hilux pickup truck on the road north of Visberg. She sees blood on the road and a creature on its side near the pine trees. It will turn out to be Bronco, a Swedish Elkhound, who has been attacked by a wolf. Tuva takes Bronco and his owner, Bengt Nyberg, to the vet. Bronco didn't make it but on the way, Nyberg told Tuva that he was out looking for his niece, twenty-year-old Elsa Nyberg, who had gone missing. She'd been working at Rose Farm and Moodyson's journalist's instincts are soon brought to the fore. Rose Farm is now home to a group of survivalists but back in 1987 the then owner, Johan Svenson murdered his wife, and his two eldest children and then killed himself. His newborn child, just four weeks old survived. Does this have any connection to the disappearance of Elsa Nyberg?
}}
{{Frontpage
|author=Alison Hughes
|genre= Politics and Society
|summary= Can art ever be apolitical? All art is political because art is not made in a vacuum. It is made by people. Antonio Gramsci stated that ‘’Every man… contributes to modifying the social environment in which he develops’’. Therefore, all art must be political, even implicitly. Alexander Adams in his new book ‘Artivism: The Battle for Museum in the Era of Postmodernism’ is adamant that art is freer when it is art for art’s sake. The recent trend of so-called artivism has caused artists to become more overtly political (read: left wing). Their seemingly grass roots movements have been astroturfed by large “left-wing” donors and media elites hoping to create a more globalist and progressive regime. Or at least that’s what Alexander Adams believes.
}}
