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{{newreview
|author= Cassandra Clare
|title= Lord of Shadows (The Dark Artifices 2)
|rating= 4.5
|genre= Teens
|summary=
After the cataclysmic events of the devilishly macabre 'Lady Midnight', Cassandra Clare produces another melodramatic magical mêlée for its sequel, conjuring up new risks and agonisingly painful decisions for the Blackthorn family and their friends. Their troubles are by no means over as they face the aftermath of Malcolm Fade's reign of madness and the malicious machinations of the cohort [a sect of power-hungry Centurions who want to punish Downworlders and minority groups with draconian legislation]. Above all Julian wants to keep his siblings safe but his self-destructive love for Emma and the reappearance of Annabel threatens to tear them apart.
|amazonuk=<amazonuk>1471116654</amazonuk>
}}
{{newreview
|author= Rebecca Asher
|summary=''I Am The Brother of XX'' is a collection of twenty one short stories from Fleur Jaeggy, who expertly wields malevolence and spite throughout, from the evil done between husband and wife in ''The Aviary'', a nasty tale of Oedipal menace and vicious, although admittedly, artful cruelty, to senseless annihilation and immolation in ''The Heir''. Jaeggy also appears to have a particular fascination with religion, from the nun receiving a rather special sort of communion in ''The Visitor'' to general references to the Church and religious devotion throughout many of her stories. Family is also a recurrent theme; whether focused on the distance between siblings in the titular story, told from the point of view of a brother filled with longing and loneliness trying to create a bond with his distant older sister, or the primal need to protect the bond between mother and son, regardless of the cost in ''Adelaide''.
|amazonuk=<amazonuk>1911508024</amazonuk>
}}
{{newreview
|author= John Grindrod
|title= Outskirts
|rating= 4
|genre =Animals and Wildlife
|summary=''Outskirts'' is an interesting take on a phenomenon of the modern age: the introduction of the green belt of countryside surrounding inner city housing estates. John Grindrod grew up on the edge of one such estate in the 1960's and '70's, as he puts it, ''I grew up on the last road in London.'' Grindrod explores the introduction of the green belt, and the various fights and developments it has gone through over the subsequent decades, as environmental and political arguments have affected planning decisions. Within this topic, he has somehow managed to wind around his personal memories of childhood, producing a memoir with a lot of heart.
|amazonuk=<amazonuk>1473625025</amazonuk>
}}

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