[[Category:Art|*]]
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{{newreview
|author=Kenneth Grahame and Robert Ingpen
|title=The Wind in The Willows
|rating=4
|genre=Confident Readers
|summary=Kenneth Grahame's ''The Wind in the Willows'' was one of the defining books of my childhood and more than sixty years after I first read the book I've just recently passed it onto another young reader. Since the book was first published in 1908 there have been some notable illustrators: Paul Bransom provided illustrations for the 1913 edition, Ernest H Shepard (perhaps better known for his illustrations of ''Winnie the Pooh'') in 1933, Arthur Rackham (possibly the leading illustrator from the golden age of book illustration) in 1940 and Robert Ingpen who illustrated the centenary edition of ''The Wind in the Willows''.
|amazonuk=<amazonuk>1786751062</amazonuk>
}}
{{newreview
|author=Simon Jenkins
|summary=On the face of it Lee McQueen might not have seemed like the ideal candidate for greatness in the world of haute couture. He was the youngest son of an East London taxi driver, but there was history in the rag trade within the family, although his father told him that if he wanted to sell clothes he should get a market stall. Determined to do it ''his'' way, Lee borrowed the money from a relative to enable him to attend Central St Martins after doing a tailoring apprenticeship. The name 'Lee' might confuse you, but at the time McQueen began his own business he was claiming benefits and decided to use his middle name to avoid detection.
|amazonuk=<amazonuk>1471131785</amazonuk>
}}
{{newreview
|author=Quentin Blake
|title=Tell me a Picture - Adventures in Looking at Art
|rating=4.5
|genre=Children's Non-Fiction
|summary=When did you last read a children's book that absolutely flummoxed you in the way it showed or told you something you didn't know? (And please be an adult when you answer that, or else it won't be quite so impressive.) Back in 2001, Quentin Blake wasn't a Knight yet – he hadn't even got his CBE – but he did get allowed to put on his own show at the National Gallery, with other people's pictures that contain oddities, stories, unexpected detail – sparks on canvas and paper that would inspire anyone looking, of whatever age, to piece things together, work things out, ''form a narrative''. The pictures came with no major labelling, no context – just what they held, and some typically scratched Blake characters discussing the images as a lead-in. They were simply hung in alphabetical order, and probably could not have been more different. This then is a picture book of the most literal kind, with 26 stories.
|amazonuk=<amazonuk>1847806422</amazonuk>
}}